EditorialThe Sophist's Eye, Like a Sharp Spear, Went Through Her Utterly. Will Hicock Low; American, 1853-1932. Date: 1885. Dimensions: 93 x 337 mm. Black, gray and white gouache, with touches of black ink, on cream wood-pulp laminate board. Origin: United States.
EditorialEye-like design on the woodwork of Shalu Monastery, Tibet. Shalu was much damaged during the Cultural Revolution and some twenty resident monks, down from a former 300, try to restore buildings and paintings. See 05-01-03 / 30-40.
EditorialBorder, Block-printed paper, gilt, flocked, Rinceau of light pink flocked leaves whose stems enclose gilt, buff and brown eye-like shapes. Bead and reel design forms lower border., France, ca. 1850, Wallcoverings, Border.
EditorialBead with cuneiform inscription of Kurigalzu I or II, Kassite, ca. 14th century B.C., Mesopotamia, Kassite, Agate, H. 2.5 cm x W. 2.4 cm x Th. 1.3 cm, Stone-Ornaments-Inscribed, Eye-like beads and stones, made from naturally occurring agate formations,...
EditorialThe Sophist's Eye, Like a Sharp Spear, Went Through Her Utterly. Will Hicock Low; American, 1853-1932. Date: 1885. Dimensions: 93 x 337 mm. Black, gray and white gouache, with touches of black ink, on cream wood-pulp laminate board. Origin: United States.
EditorialThe Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe. Odilon Redon; French, 1840-1916. Date: 1882. Dimensions: 263 ? 198 mm (image/chine); 443 ? 315 mm (sheet). Lithograph in black on ivory China paper, laid down on white...
EditorialThe Sophist's Eye, Like a Sharp Spear, Went Through Her Utterly. Will Hicock Low; American, 1853-1932. Date: 1885. Dimensions: 93 x 337 mm. Black, gray and white gouache, with touches of black ink, on cream wood-pulp laminate board. Origin: United States.
EditorialThe Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe. Odilon Redon; French, 1840-1916. Date: 1882. Dimensions: 263 ? 198 mm (image/chine); 443 ? 315 mm (sheet). Lithograph in black on ivory China paper, laid down on white...
EditorialEye-like design on the woodwork of Shalu Monastery, Tibet. Shalu was much damaged during the Cultural Revolution and some twenty resident monks, down from a former 300, try to restore buildings and paintings. See 05-01-03 / 30-40.
EditorialThe Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe. Odilon Redon; French, 1840-1916. Date: 1882. Dimensions: 263 ? 198 mm (image/chine); 443 ? 315 mm (sheet). Lithograph in black on ivory China paper, laid down on white...
EditorialThe Sophist's Eye, Like a Sharp Spear, Went Through Her Utterly. Will Hicock Low; American, 1853-1932. Date: 1885. Dimensions: 93 x 337 mm. Black, gray and white gouache, with touches of black ink, on cream wood-pulp laminate board. Origin: United States.
EditorialThe Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe. Odilon Redon; French, 1840-1916. Date: 1882. Dimensions: 263 ? 198 mm (image/chine); 443 ? 315 mm (sheet). Lithograph in black on ivory China paper, laid down on white...
EditorialThe Sophist's Eye, Like a Sharp Spear, Went Through Her Utterly. Will Hicock Low; American, 1853-1932. Date: 1885. Dimensions: 93 x 337 mm. Black, gray and white gouache, with touches of black ink, on cream wood-pulp laminate board. Origin: United Stat...
EditorialBead with cuneiform inscription of Kurigalzu I or II, Kassite, ca. 14th century B.C., Mesopotamia, Kassite, Agate, H. 2.5 cm x W. 2.4 cm x Th. 1.3 cm, Stone-Ornaments-Inscribed, Eye-like beads and stones, made from naturally occurring agate formations,...
EditorialLIKE SHIPS UPON THE SEA, DRAWN BY SYDNEY HALL, 1883; As he passed from beneath the archway to where he sat, he crossed a moonlit space, and the rays of light sparkled for an instant on his sword and the silver star on his uniform, and attracted her eye.
Loading