EditorialA visitor runs through Caroline Gueye’s “Quantum Tunneling” installation at the Dakar Biennale’s official exhibition at the former Palace of Justice, in Dakar, Senegal, May 21, 2022. (Ricci Shryock/The New York Times)
EditorialAs Nike reaches its golden anniversary, it’s worth considering how the swoosh became the branding earwig of the millennium, tunneling into our brains to colonize our imaginations. (Adam Ferriss/The New York Times)