EditorialCoaching: The Early Delivery, John Harris, 18111865, British, after William J. Shayer, 1811c.1885, British, 1863, Aquatint, hand-colored, Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm).
EditorialCoaching: The Brighton Day Mails, passing over Hookwood Common, Charles Hunt, 18031877, British, after William J. Shayer, 1811c.1885, British, 1838, Aquatint, hand-colored, Sheet: 17 7/8 x 27 7/8in. (45.4 x 70.8cm).
EditorialCoaching: The First Change Up, John Harris, 18111865, British, after William J. Shayer, 1811c.1885, British, 1863, Aquatint, hand-colored, Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm).
EditorialCoaching: The Last Change Down, John Harris, 18111865, British, after William J. Shayer, 1811c.1885, British, 1863, Aquatint, hand-colored, Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm).
EditorialCoaching: The Right Sort, John Harris, 18111865, British, after William J. Shayer, 1811c.1885, British, 1863, Aquatint, hand-colored, Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm).
Editorialat arrivals for American Ballet Theatre (ABT) 2018 Spring Gala, Metropolitan Opera House at Lincoln Center, New York, NY May 21, 2018. Photo By: Kristin Callahan/Everett Collection
EditorialFoxhunting: Coming to a Fence (Full Cry) Signed and dated in brown paint, lower right: "WJ Shayer | 63.", William J. Shayer, 1811-c.1885, British.