EditorialA visitor views the data artist Refik Anadol’s installation, “Unsupervised,” in the lobby of the Museum of Modern Art in New York, Dec. 14, 2022. (Vincent Tullo/The New York Times)
EditorialA visitor poses in Refik Anadol’s installation “Infinity Room” (2015) at the Kunsthalle Praha in Prague on Feb. 20, 2022. (Milan Bures for The New York Times)
EditorialA visitor poses in Refik Anadol’s installation “Infinity Room” (2015) at the Kunsthalle Praha in Prague on Feb. 20, 2022. (Milan Bures for The New York Times)