EditorialIt’s widely discussed in China: Employers don’t want you after 35. Some job listings say it plainly, leaving a generation of prime-age workers feeling defeated. (Xinmei Liu/The New York Times)
EditorialIt’s widely discussed in China: Employers don’t want you after 35. Some job listings say it plainly, leaving a generation of prime-age workers feeling defeated. (Xinmei Liu/The New York Times)
EditorialIt’s widely discussed in China: Employers don’t want you after 35. Some job listings say it plainly, leaving a generation of prime-age workers feeling defeated. (Xinmei Liu/The New York Times)
EditorialIt’s widely discussed in China: Employers don’t want you after 35. Some job listings say it plainly, leaving a generation of prime-age workers feeling defeated. (Xinmei Liu/The New York Times)
EditorialIt’s widely discussed in China: Employers don’t want you after 35. Some job listings say it plainly, leaving a generation of prime-age workers feeling defeated. (Xinmei Liu/The New York Times)
EditorialSir Robert Montgomery (1809-87) c.1891, from the original of c.1866. A three-quarter length portrait, the subject standing and facing left. He is plainly dressed in a dark frock-coat; a red cordon supporting the badge of the Bath, the star of the same ...
EditorialAustin, Texas on April 11, 2021. As the U.S. Census Bureau released its decennial counts on Thursday, Aug. 12, 2021, officials confirmed what has long been plainly visible in that stretch of Central and South Texas: Many new people were moving in. (Tamir Kalifa/The New York Times)
EditorialAllison Russell, who sings plainly about the sexual abuse she endured as a child on her debut LP, in Nashville on April 24, 2021. (Bethany Mollenkof/The New York Times)
EditorialCopy of the Crowning with the thorns in the Small Passion by Albrecht Durer, published in 1511, Pen, brush and bistre on paper, Vertical composition of the Crowning with a plainly moulded frame, Italy, 15251600, religion, Drawing, Drawing.
EditorialDesign for an Overdoor, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The door is plainly framed. The overdoor is a panel with the representation of a trophy of weapons. The doorcase consis...
EditorialClayton's Ascent, Block printed on handmade paper, pasteboard support, Box shows houses and trees, with a hot air balloon; legend: 'Clayton's Ascent.' Lid features legend: 'A Peep at the Moon.' A telescope, attached to a skeleton framework, is focused ...
EditorialSampler, Charlotte Spier, American, Medium: silk embroidery on linen foundation Technique: embroidered in eye, counted cross, herringbone and overcasting stitches on plain weave foundation, Long vertically rectangular sampler with a verse, three alphab...
EditorialMarsden Hartley, After the Storm, Vinalhaven, 1938-1939, oil on Academy board, 22 in. x 28 in. (55.88 cm x 71.12 cm), Like many of Marsden Hartley's late marine landscapes, After the Storm, Vinalhaven expresses the artist's sympathetic response to the ...
EditorialThe four messengers on horseback approach the city of Kekaya, while attendants try to wake Bharata, who has had alarming dreams about his father. In one of them, shown below, the king dressed plainly, and seated on an iron (here blue) seat, is attacked...
EditorialOshukubai, Heian period tale of the nightingale in the plum tree., Kitao, Shigemasa, 1739-1820, artist, [1795 or 1796], 1 print : woodcut, color ; 24.7 x 37.4 cm., Print shows a royal official wearing a long robe, with three attendants, standing before...
EditorialOshukubai, Heian period tale of the nightingale in the plum tree., Kitao, Shigemasa, 1739-1820, artist, [1795 or 1796], 1 print : woodcut, color ; 24.7 x 37.4 cm., Print shows a royal official wearing a long robe, with three attendants, standing before...
EditorialThe four messengers on horseback approach the city of Kekaya, while attendants try to wake Bharata, who has had alarming dreams about his father. In one of them, shown below, the king dressed plainly, and seated on an iron (here blue) seat, is attacked...
EditorialSir Robert Montgomery (1809-87) c.1891, from the original of c.1866. A three-quarter length portrait, the subject standing and facing left. He is plainly dressed in a dark frock-coat; a red cordon supporting the badge of the Bath, the star of the same ...
EditorialThe four messengers on horseback approach the city of Kekaya, while attendants try to wake Bharata, who has had alarming dreams about his father. In one of them, shown below, the king dressed plainly, and seated on an iron (here blue) seat, is attacked...
EditorialSir Robert Montgomery (1809-87) c.1891, from the original of c.1866. A three-quarter length portrait, the subject standing and facing left. He is plainly dressed in a dark frock-coat; a red cordon supporting the badge of the Bath, the star of the same ...
EditorialTriumphal Arch ('Ehrenpforte') for Emperor Maximilian I. Dated 1515. Detail of 33-02-02/65. Woodcut. Base of the right hand middle column. Cranes with shells, vine leaves with pea pods bursting, sirens (symbolic of the vice of lust, which the Empe...
EditorialOshukubai, Heian period tale of the nightingale in the plum tree., Kitao, Shigemasa, 1739-1820, artist, [1795 or 1796], 1 print : woodcut, color ; 24.7 x 37.4 cm., Print shows a royal official wearing a long robe, with three attendants, standing before...
EditorialOshukubai, Heian period tale of the nightingale in the plum tree., Kitao, Shigemasa, 1739-1820, artist, [1795 or 1796], 1 print : woodcut, color ; 24.7 x 37.4 cm., Print shows a royal official wearing a long robe, with three attendants, standing before...