Editorial'Horse-breaking', Japan, c1560s. This is an autumn landscape in the mountains, with the leaves of the maple tree changing colour. Two horses are swimming in the river at the bottom of the composition, three more are galloping into view at the top, and ...
EditorialTHE WRECK OF THE "HANOVERIAN" AT PORTUGAL COVE, TREPASSEY BAY, NEWFOUNDLAND: PROFESSOR BELL TRYING TO PACIFY THE PASSENGERS (LEFT); BLUE-JACKETS SAVING WOMEN AND CHILDREN (RIGHT).
EditorialTemple scene, Illustration for Le Roman de la Momie: p. 161 - The pharaoh walks through his palace to pacify, pen drawing, paper, 12.4 x 8 cm, 19th century 1860.
Editorial'Horse-breaking', Japan, c1560s. This is an autumn landscape in the mountains, with the leaves of the maple tree changing colour. Two horses are swimming in the river at the bottom of the composition, three more are galloping into view at the top, and ...
EditorialLife in post-war Vienna: comedian Karl Farkas as an Austrian policeman trying to pacify a Soviet occupier, while Marianne (France) and a British officer watch. The pre-war cabaret " Simpl" opened again after the War. Karl Farkas was its star ...
Editorial'Horse-breaking', Japan, c1560s. This is an autumn landscape in the mountains, with the leaves of the maple tree changing colour. Two horses are swimming in the river at the bottom of the composition, three more are galloping into view at the top, and ...
EditorialTHE WRECK OF THE "HANOVERIAN" AT PORTUGAL COVE, TREPASSEY BAY, NEWFOUNDLAND: PROFESSOR BELL TRYING TO PACIFY THE PASSENGERS (LEFT); BLUE-JACKETS SAVING WOMEN AND CHILDREN (RIGHT).
EditorialLife in post-war Vienna: comedian Karl Farkas as an Austrian policeman trying to pacify a Soviet occupier, while Marianne (France) and a British officer watch. The pre-war cabaret " Simpl" opened again after the War. Karl Farkas was its star ...
Editorial'Horse-breaking', Japan, c1560s. This is an autumn landscape in the mountains, with the leaves of the maple tree changing colour. Two horses are swimming in the river at the bottom of the composition, three more are galloping into view at the top, and ...