EditorialAndrew Lloyd Webber, left, and Cameron Mackintosh embrace after the final performance of “The Phantom of the Opera” at the Majestic Theater in New York on Sunday, April 16, 2023. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)