EditorialScene from Revelations. Ottmar Elliger, the younger; German, 1666-1735. Date: 1686-1735. Dimensions: 140 x 207 mm. Pen and gray ink with brush and gray wash and lead white (partly discolored) on cream laid paper. Origin: Germany.
EditorialThe Parsonage Garden at Nuenen in Winter. Date/Period: 1884. Drawing. Pen and brown ink, lead white on paper pen and brown ink, lead white on paper. Height: 515 mm (20.27 in); Width: 380 mm (14.96 in).
EditorialChrist in the House of Simon. After Paolo Caliari, called Paolo Veronese; Italian, 1528-1588. Date: 1680-1720. Dimensions: 344 x 519 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), over black chalk, on blu...
EditorialThe Holy Trinity with Saint Michael Conquering the Dragon. Pietro da Cortona; Italian, 1596-1669. Date: 1656-1669. Dimensions: 458 x 357 mm. Pen and brown ink, with brush and brown and gray wash, heightened with lead white (discolored) and black chalk,...
EditorialScene from Bohemian Life. James McNeill Whistler; American, 1834-1903. Date: 1855-1857. Dimensions: 224 ? 240 mm. Pen and black ink with touches of brush and gray wash over graphite, selectively heightened with touches of lead white (discolored), on cr...
EditorialThe Departure of Marcus Attilius Regulus for Carthage. Jacques Louis David; French, 1748-1825. Date: 1775-1786. Dimensions: 315 ? 414 mm. Pen and black ink, with brush and gray wash, and black chalk, heightened with lead white (discolored), on blue lai...
EditorialArchibald McCall, ca. 1755?60, Watercolor, gold leaf, and lead white on ivory, 1 1/2 x 1 1/4 in. (3.8 x 3.2 cm), Paintings, John Hesselius (1728?1778), The sitter (1727-1799) was a Philadelphia merchant and underwriter for the Insurance Company of Nort...
EditorialMystic Marriage of Saint Catherine. Paolo Caliari, called Paolo Veronese; Italian, 1528-1588. Date: 1680-1699. Dimensions: 443 x 298 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper,...
EditorialHead Looking Upwards. Italian, Sienese; Late 16th century. Date: 1580-1599. Dimensions: 294 x 220 mm. Red and black chalk, heightened with lead white (partially oxidized), on tan laid paper, laid down on ivory laid paper. Origin: Italy.
EditorialAdoration of the Magi. Lambert van Noort; Netherlandish, 1520-1571. Date: 1559. Dimensions: 578 x 435 mm. Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over traces of black chalk on buff laid paper. Origin: Net...
EditorialFour Running Male Nudes (recto); Holy Family with the Infant John the Baptist (verso). Unknown Artist; Italian, late 16th century. Date: 1580-1599. Dimensions: 305 x 211 mm. Pen and brown ink, over traces of red chalk, on tan laid paper, edge mounted t...
EditorialTwo Standing Draped Male Figures. Pietro di Cristoforo Vannucci, called Perugino, after; Italian, c. 1445-1523. Date: 1501-1600. Dimensions: 284 x 219 mm (max.). Pen and brush and brown ink, with lead white, on tan laid paper with light green wash. Ori...
EditorialCeiling Design with Mars Driving His Chariot. Lattanzio Gambara; Italian, c. 1530-1574. Date: 1565-1569. Dimensions: 228 x 297 mm (max.). Pen and brown ink, with traces of black chalk, heightened with lead white (partially oxidized), on tan laid paper....
EditorialSaint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon. Federico Zuccaro; Italian, 1540/41-1609. Date: 1570-1571. Dimensions: 196 x 395 mm (sight). Pen and brown ink, with brush and brown wash, ...
EditorialA Genealogical Family Piece. Lydia Smith; American, 19th century. Date: 1811. Dimensions: 552 x 430 mm. Watercolor and pen and brown ink, with lead white gouache (discolored), on cream wove paper, laid down on fabric. Origin: United States.
EditorialCupid and Psyche. Giuseppe Cammarano; Italian, 1766-1850. Date: 1821. Dimensions: 355 x 430 mm. Pen and black ink and brush and brown wash heightened with lead white (discolored), on cream wove paper prepared with an orange wash, laid down on cream boa...
EditorialQueen Intervening to Spare the Life of a Bishop Saint. Lazzaro Tavarone; Italian, 1556-1661. Date: 1632-1636. Dimensions: 310 x 226 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), on tan laid paper, squa...
EditorialStudy for the Annunciation. Lazzaro Baldi; Italian, 1622-1703. Date: 1642-1703. Dimensions: 171 x 108 mm. Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), squared in red chalk, on tan laid paper, laid down ...
EditorialMartyrdom of a Saint. Workshop of Vicencio Carducho; Italian, 1570-1638. Date: 1626-1632. Dimensions: 344 x 236 mm. Watercolor and black chalk, heightened with lead white (discolored), on cream laid paper, laid down on ivory laid paper. Origin: Italy.
EditorialAssumption of the Virgin. Pietro Antonio di Pietri; Italian, 1663-1716. Date: 1683-1716. Dimensions: 265 x 190 mm. Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over traces of black chalk on ivory laid paper, la...
EditorialSan Carlo Borromeo Adoring an Image of the Birth of the Virgin. Sigismondo Caula; Italian, 1637-1724. Date: 1684-1687. Dimensions: 422 x 300 mm. Brush and brown ink and wash, with black chalk, heightened with lead white (partly discolored), on brown la...
EditorialSaint Lawrence in Glory. Sigismondo Caula; Italian, 1637-1724. Date: 1657-1724. Dimensions: 360 x 268 mm. Brush and brown wash, heightened with lead white (partially oxidized), over black chalk, on brown laid paper. Origin: Italy.
EditorialHercules at the Crossroads. Niccol? Berrettoni (Italian, 1637-1682); possibly after Pietro Dandini (Italian, 1646-1712). Date: 1657-1682. Dimensions: 233 x 211 mm. Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), ove...
EditorialTobias and the Angel Raphael. Jacopo Ligozzi; Italian, 1547-1627. Date: 1603-1607. Dimensions: 415 ? 345 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), over black chalk, with gray overpaint, (added by a l...
EditorialStudy for a Painted Frieze. Flaminio Allegrini; Italian, c. 1587-c. 1663. Date: 1625-1627. Dimensions: 145 x 256 mm. Pen and brown and gray ink, with brush and brown wash and red chalk wash, with traces of lead white (partially discolored), on tan laid...
EditorialSaint Augustine and Two Angels Adoring the Crucifix. Giuseppe Passeri; Italian, 1654-1714. Date: 1685-1695. Dimensions: 327 x 256 mm (primary support); 385 x 299 mm (secondary support). Pen and brown ink, heightened with lead white, over red chalk on c...
EditorialLamentation over the Dead Christ. Pietro da Cortona; Italian, 1596-1669. Date: 1635. Dimensions: 235 x 208 mm. Pen and brown ink, with brush and brown wash, heightened with lead white gouache and traces of black chalk, on cream laid paper, laid down on...
EditorialThe Holy Trinity with Saint Michael Conquering the Dragon. Pietro da Cortona; Italian, 1596-1669. Date: 1656-1669. Dimensions: 458 x 357 mm. Pen and brown ink, with brush and brown and gray wash, heightened with lead white (discolored) and black chalk,...
EditorialApproval of the Rules of the Franciscan Order by Pope Innocent III in 1209. Livio Agresti; Italian, 1508-1579. Date: 1528-1579. Dimensions: 288 x 203 mm (sight). Pen and brown ink, with brush and brown wash, heightened with lead white gouache, over inc...
EditorialAdoration of the Christ Child. Filippo Bellini or circle of; Italian, c. 1550-1603. Date: 1580-1600. Dimensions: 670 x 353 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), over traces of red chalk, o...
EditorialMoses Striking Water from the Rock. Attributed to Crispin van den Broeck (Netherlandish, 1524-c. 1590); or Ippolito Scarsella (Italian, 1551-1620). Date: 1544-1590. Dimensions: 182 x 266 mm. Pen and brown ink, with brush and brown wash, heightened with...
EditorialDesign for a Spandrel: A Roman Martyr and Two Putti-Saint Jude the Apostle. Livio Agresti; Italian, 1508-1579. Date: 1573-1575. Dimensions: 238 x 270 mm (sight). Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue ...