EditorialIllustration from Horae, plate 63 from Woodcuts from Books of the XVI Century. Unknown Artist (French, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1514. Dimensions: 149 ? 93 mm (image, recto); 150 ? 93 mm (image, verso); 157 ? 10...
EditorialThe three Horae:, Greek goddesses of the seasons. Thallo, Auxo and Carpo. Les Heures. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Le...
EditorialDesign for a sundial in a public place, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Below are five steps with a gentleman standing upon them at left, and a man sitting upon them...
EditorialThe Sun, the Hours, and the Seasons, for Palazzo Gessi, Faenza, Felice Giani, Italian, 17581823, Pen and ink, graphite on light blue paper, Apollo stands in chariot, driven by four horses, holding whip in right hand. Behind him, zodiac. Accompanying hi...
EditorialThe three Horae:, Greek goddesses of the seasons. Thallo, Auxo and Carpo. Les Heures. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Le...
EditorialIllustration from Horae in laudem Virginis Mariae, plate 64 from Woodcuts from Books of the XVI Century. Geoffrey Tory (French, c.1480-1533); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1524-1525. Dimensions: 163 ? 98 mm (image); 195 ? 133 mm (...
EditorialIllustration from Horae, plate 63 from Woodcuts from Books of the XVI Century. Unknown Artist (French, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1514. Dimensions: 149 ? 93 mm (image, recto); 150 ? 93 mm (image, verso); 157 ? 10...
EditorialHorae Beatae Mariae Virginis. French (possibly Besan?on). Date: 1455-1465. Dimensions: 175 ? 120 mm (parchment). Manuscript with 88 folios, 13 miniatures and other decorations in tempera and gold leaf, with Latin littera textualis inscriptions in brown...
EditorialIllustration from Horae in laudem Virginis Mariae, plate 64 from Woodcuts from Books of the XVI Century. Geoffrey Tory (French, c.1480-1533); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1524-1525. Dimensions: 163 ? 98 mm (image); 195 ? 133 mm (...
EditorialIllustration from Horae, plate 63 from Woodcuts from Books of the XVI Century. Unknown Artist (French, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1514. Dimensions: 149 ? 93 mm (image, recto); 150 ? 93 mm (image, verso); 157 ? 10...
EditorialHorae Beatae Mariae Virginis. French (possibly Besan?on). Date: 1455-1465. Dimensions: 175 ? 120 mm (parchment). Manuscript with 88 folios, 13 miniatures and other decorations in tempera and gold leaf, with Latin littera textualis inscriptions in brown...
EditorialQuaenam illae sint lineae per quas horae nocturnae digitorum adminiculo inquirantur?, Finger clock for determining the time at night, Fig. 18, p. 46, 1533, Petrus Apian: Horoscopion Apiani generale dignoscendis horis cuiusqumque generis aptissimum [......
EditorialIllustration from Horae in laudem Virginis Mariae, plate 64 from Woodcuts from Books of the XVI Century. Geoffrey Tory (French, c.1480-1533); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1524-1525. Dimensions: 163 ? 98 mm (image); 195 ? 133 mm (...
EditorialIllustration from Horae, plate 63 from Woodcuts from Books of the XVI Century. Unknown Artist (French, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1514. Dimensions: 149 ? 93 mm (image, recto); 150 ? 93 mm (image, verso); 157 ? 10...
EditorialHorae Beatae Mariae Virginis. French (possibly Besan?on). Date: 1455-1465. Dimensions: 175 ? 120 mm (parchment). Manuscript with 88 folios, 13 miniatures and other decorations in tempera and gold leaf, with Latin littera textualis inscriptions in brown...
EditorialThe interlacing design used on this sixteenth-century French brown calf binding has been economically applied using a single large decorative block. The sacred monogram (IHS) has been gold-tooled on the upper cover and the initials MA for Maria on the ...
EditorialThe interlacing design used on this sixteenth-century French brown calf binding has been economically applied using a single large decorative block. The sacred monogram (IHS) has been gold-tooled on the upper cover and the initials MA for Maria on the ...