EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialJPEGMAFIA and Danny Brown in concert, 'Scaring the Hoes' tour, The Egyptian Room at Old National Centre, Indianapolis, Indiana, USA - 28 Jul 2023
EditorialPalestinian farmers dig with hoes in a field near the portion of the high-tech barrier near the border between the Palestinian Gaza Strip and Israel, east of Gaza City, Gaza city, Gaza Strip, Palestinian Territory - 09 Dec 2021
EditorialBeds of lettuce, young man with wheel hoe, girls with common hoes, near Buffalo, N.Y., U.S.A., Keystone View Company, New York (State), Buffalo (N.Y.).
EditorialDesign for a Painted Porcelain Plate, Cutting and Working in the Vineyard, Jean Charles Develly, French, 1783 - 1849, Pen and black, brown ink, brush and brown wash, white gouache, graphite on cream wove paper, In foreground are three male and one fema...
EditorialAllegorical representation of the wedding of a member of the von Ringles family in Strasburg with a von Hengel, Black ink on white paper, Vertical oval within vertical rectangle. A man at left and a woman at right hold a clock at center. Over man's hea...
EditorialThe Chapel of the Greyfriars Monastery, Winchester, Michael 'Angelo' Rooker, 17461801, British, between 1790 and 1795, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 9 x 11 1/8 inches (22.9 x 28.3 cm) and Contemporary drawn...
EditorialA Scene in the New Farce - as Performed at the Royalty Theatre!, Print made by George Cruikshank, 17921878, British, Published by George Humphrey, ca. 1773ca. 1831, British, 1821, Etching, hand-colored on moderately thick, slightly textured, beige wove...
EditorialA New Drawing Book of Variety of Landskips, Print made by J. Carwitham, active 17201740, Printed by Thomas Bowles, ca. 1712died 1753, British, ca. 1730, Etching on medium, slightly textured, beige laid paper, Sheet: 12 13/16 x 8 1/8 inches (32.5 x 20.7...
EditorialParasol (or umbrella?) With plain, dark blue silk cover and cover, on light brown wooden stick, driven gilt copper bud with landscape with loving couple and three mythological figures, Parasol or umbrella (?) With plain deck, dark blue silk, with a dri...
EditorialAncient Roman naumachia with reenactment of famous sea battle in an ampitheatre between naval fleets of condemned prisoners 1. Galley with single row of oars 2, and bireme warship with two rows of oars 3. Handcoloured copperplate engraving by J.B. Hoes...
EditorialAncient Roman naumachia with reenactment of famous sea battle in an ampitheatre between naval fleets of condemned prisoners 1. Galley with single row of oars 2, and bireme warship with two rows of oars 3. Handcoloured copperplate engraving by J.B. Hoes...
EditorialHorse Hoes, Horsehoes, Fig. 9, Pl. IX, to p. 40, R.W. Dickson: Practical agriculture, or, a complete system of modern husbandry: with the methods of planting, and the management of live stock. Bd. 1. London: printed for Richard Phillips; by R. Taylor a...
EditorialThe sacrifices of the nails of the month, Parallel title: victim on hoes and on tables, Signed: G. Lichtensteger sculps, copperplate, plate DCXL, F?ssli, Johann Melchior; Lichtensteger, G. (sculps.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). A...
EditorialParasol (or umbrella?) With plain, dark blue silk cover and cover, on light brown wooden stick, driven gilt copper bud with landscape with loving couple and three mythological figures, Parasol or umbrella (?) With plain deck, dark blue silk, with a dri...
EditorialFigure of a man with a hoe, from Assiut, Egypt, 6th Dynasty, c2250 BC. By the New Kingdom (c1550-1070 BC) the deceased was expected to perform manual labour, especially in the fields, in the afterlife. In order to avoid this, small shabti figures were ...
EditorialFigure of a man with a hoe, from Assiut, Egypt, 6th Dynasty, c2250 BC. By the New Kingdom (c1550-1070 BC) the deceased was expected to perform manual labour, especially in the fields, in the afterlife. In order to avoid this, small shabti figures were ...
EditorialAncient Roman naumachia with reenactment of famous sea battle in an ampitheatre between naval fleets of condemned prisoners 1. Galley with single row of oars 2, and bireme warship with two rows of oars 3. Handcoloured copperplate engraving by J.B. Hoes...
EditorialFigure of a man with a hoe, from Assiut, Egypt, 6th Dynasty, c2250 BC. By the New Kingdom (c1550-1070 BC) the deceased was expected to perform manual labour, especially in the fields, in the afterlife. In order to avoid this, small shabti figures were ...
EditorialFaience ushebti of Seti I, 19th dynasty, around 1290 BCE. The figure wears the " nemes" headdress of a king, with the cobra on his brow. The identity of the object as an ushebti is made clear by the hoes which he holds and the " ushebti-...