EditorialEXCLUSIVE: ** NO WEB UNTIL 15.30 EDT 19th Sept 2024** This is the secluded spot where would-be Donald Trump assassin Ryan Routh lay in wait to take aim at the former president - less than 15 yards from his golf cart's pathway.
EditorialEXCLUSIVE: ** NO WEB UNTIL 15.30 EDT 19th Sept 2024** This is the secluded spot where would-be Donald Trump assassin Ryan Routh lay in wait to take aim at the former president - less than 15 yards from his golf cart's pathway.
EditorialEXCLUSIVE: ** NO WEB UNTIL 15.30 EDT 19th Sept 2024** This is the secluded spot where would-be Donald Trump assassin Ryan Routh lay in wait to take aim at the former president - less than 15 yards from his golf cart's pathway.
EditorialEXCLUSIVE: ** NO WEB UNTIL 15.30 EDT 19th Sept 2024** This is the secluded spot where would-be Donald Trump assassin Ryan Routh lay in wait to take aim at the former president - less than 15 yards from his golf cart's pathway.
EditorialEXCLUSIVE: ** NO WEB UNTIL 15.30 EDT 19th Sept 2024** This is the secluded spot where would-be Donald Trump assassin Ryan Routh lay in wait to take aim at the former president - less than 15 yards from his golf cart's pathway.
EditorialEXCLUSIVE: ** NO WEB UNTIL 15.30 EDT 19th Sept 2024** This is the secluded spot where would-be Donald Trump assassin Ryan Routh lay in wait to take aim at the former president - less than 15 yards from his golf cart's pathway.
EditorialCyclists on the Hudson River Greenway as smoke from Canadian wildfires obscures One World Trade Center in Manhattan, June 30, 2023. (Emon Hassan/The New York Times)
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)