EditorialThe Watermill Above the Bridge at Charenton, unknown artist, after Thomas Girtin, 17751802, British, formerly attributed to Thomas Girtin, 17751802, British, undated, Watercolor on moderately thick, moderately textured, cream wove paper, (two sheets mo...
EditorialOn the Banks of the Marne below the Bridge at Charenton, Print made by Thomas Girtin, 17751802, British, and Richard Banks Harraden, 17781862, British, after Thomas Girtin, 17751802, British, 1803, Aquatint, hand-colored, architectural subject, bridge ...
EditorialOn the Banks of the Marne below the Bridge at Charenton, Thomas Girtin, 17751802, British, 1803, Graphite tracing on laid paper, architectural subject, bridge (built work), cityscape, river, Charenton-le-Pont, Europe, France, Marne, Pont de Charenton-l...
EditorialThe Water Mill above the Bridge at Charenton, Thomas Girtin, 17751802, British, Frederick Christian Lewis the Elder, 17791856, British, 1803, Aquatint, Charenton-le-Pont, Europe, France, Pont de Charenton-le-Pont, Val-de-Marne, ?le-de-France.
EditorialOn the Banks of the Marne below the Bridge at Charenton, Print made by Thomas Girtin, 17751802, British, and Frederick Christian Lewis the Elder, 17791856, British, after Thomas Girtin, 17751802, British, 1803, Aquatint, architectural subject, bridge (...
EditorialThe Watermill Above the Bridge at Charenton, Thomas Girtin, (etching), 17751802, British, Frederick Christian Lewis the Elder, (aquatint), 17791856, British, after Thomas Girtin, 17751802, British, Published by James Girtin, ca. 1780after 1820, 1803, A...
EditorialThe Water Mill above the Bridge at Charenton, Thomas Girtin, 17751802, British, and Frederick Christian Lewis the Elder, 17791856, British, after Thomas Girtin, 17751802, British, 1803, Aquatint with soft-ground etching on moderately thick, slightly te...
EditorialOn the Banks of the Marne below the Bridge at Charenton, Print made by Thomas Girtin, 17751802, British, and Richard Banks Harraden, 17781862, British, after Thomas Girtin, 17751802, British, 1803, Aquatint with soft-ground etching on moderately thick,...
EditorialThe Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629, Frederick Christian Lewis the Elder, 17791856, British, after Thomas Girtin, 17751802, British, 1803, Etching, Charen...
EditorialThe Watermill Above the Bridge at Charenton, Fran?ois Louis Thomas Francia, 17721839, French, active in Britain, after Thomas Girtin, 17751802, British, undated, Watercolor over graphite on moderately thick, moderately textured, beige wove paper, paste...
EditorialView of Paris from Charenton, William Callow, 18121908, British, active in France, 1834, Watercolor on medium, slightly textured, cream wove paper, Sheet: 4 5/8 ? 13 inches (11.7 ? 33 cm), boats, buildings, cityscape, clouds, landscape, river, sky, tre...
EditorialThe Water Mill above the Bridge at Charenton, Thomas Girtin, 17751802, British, 1803, Graphite tracing on laid paper, Charenton-le-Pont, Europe, France, Pont de Charenton-le-Pont, Val-de-Marne, ?le-de-France.
EditorialOn the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628, Print made by Richard Banks Harraden, 17781862, British, after Thomas Girtin, 17751802, British, 1803, Et...
EditorialView of the Seine at Charenton-le-Pont Paris. La Seine ? Charenton (title on object), river, boat propelled by man or animal, Seine, Neue Photographische Gesellschaft (mentioned on object), Charenton-le-Pont, 1906, cardboard, photographic paper, gelati...
EditorialView of the Seine at Charenton-le-Pont Paris. La Seine ? Charenton (title on object), river, boat propelled by man or animal, Seine, Neue Photographische Gesellschaft (mentioned on object), Charenton-le-Pont, 1906, cardboard, photographic paper, gelati...