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Editorial Blessing of water in Lviv, Ukraine - 06 Jan 2024
Editorial Blessing of water in Lviv, Ukraine - 06 Jan 2024
Editorial Paul VI during the crowning ceremony in St. Peter's Square
Editorial Paul VI during the crowning ceremony in St. Peter's Square
Editorial Paul VI during the crowning ceremony in St. Peter's Square
Editorial Paul VI during the crowning ceremony in St. Peter's Square
Editorial Paul VI during the crowning ceremony in St. Peter's Square
Editorial Paul VI during the crowning ceremony in St. Peter's Square
Editorial Paul VI during the crowning ceremony in St. Peter's Square
Editorial Paul VI during the crowning ceremony in St. Peter's Square
Editorial Paul VI during the crowning ceremony in St. Peter's Square
Editorial The Furniture Of Syrian VP Rifaat al-Assad Goes On Sale - Paris - Pierre, France - 12 Jan 2023
Editorial Gottfried Semper, Museum pavilion Donner, Neum?hlen near Altona. Perspective view of the gallery and orangery with designs for candelabras and plant pots, paper, pen and ink drawing, colored, picture size: height: 24.1 cm; width: 13.3 cm, monogrammed a...
Editorial Usine de GHM en Haute Marne, fabricant des fontaines Wallace de
Editorial Design for an Altar, Plate 4 from an Untitled Series of Designs for Altars.
Editorial Design for an Altar, Plate 1 from an Untitled Series of Designs for Altars.
Editorial Design for an Altar, Plate 2 from an Untitled Series of Designs for Altars.
Editorial Study of candelabras, Jean-Robert Ango, French, active in Rome 1759 1770, d. 1773, Red chalk on paper, Study of two candelabras, France, ca. 175970, ornament, Drawing, Drawing.
Editorial Fragment, Medium: silk Technique: supplementary warp forming raised pile in plain weave foundation, Detached floral and candelabras forms in blue on deep tan., 17th century, woven textiles, Fragment.
Editorial Candelabras, Jean-Robert Ango, French, active in Rome 1759 1770, d. 1773, Red chalk on paper, Three candelabras, France, ca. 175970, ornament, Drawing, Drawing.
Editorial Rendering of the Grand Gallery of Honor, Palazzo Paz, Buenos Aires, Argentina, Unknown, Pen and black ink, brush and watercolor, gouache, graphite, charcoal on cream wove paper, An elegantly furnished circular salon interior with a baroque-style domed ...
Editorial Project for the Interior of a Room, Pen and ink, brush and watercolor on paper, Elevation of a room with three doorways, each with a canopy. Between these, candelabras. Panel of strapwork and more candles above., Italy, 17501775, interiors, Drawing, Dr...
Editorial Study of candelabras, Jean-Robert Ango, French, active in Rome 1759 1770, d. 1773, Red chalk on paper, Study of three candelabras, France, ca. 175970, ornament, Drawing, Drawing.
Editorial Gottfried Semper, Museum pavilion Donner, Neum?hlen near Altona. Perspective view of the gallery and orangery with designs for candelabras and plant pots, paper, pen and ink drawing, colored, picture size: height: 24.1 cm; width: 13.3 cm, monogrammed a...
Editorial Daniel Hopfer, Two candelabras, paper, etching, sheet size: height: 23,30 cm; width: 16,50 cm, monogrammed and numbered: in the plate: DH (with artist's mark), 135, inscribed, by someone else in lead: 42, B.132, oval blue coat of arms-collection-stamp:...
Editorial Wilhelm Weimar, candlestick in the church St. Nikolai, Billwerder, glass negative, black and white negative process, total: height: 23,8 cm; width: 17,8 cm, numbered: top left: in black ink: 2340. candleholders, candelabras, church furnishings, church ...
Editorial Wilhelm Weimar, foot altar candlestick, church, Bergedorf, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 1909. church decoration, candleholders, candelabras, rocaille, works ...
Editorial Wilhelm Weimar, foot altar candlestick, church, Bergedorf, glass negative, black and white negative process, total: height: 23,8 cm; width: 17,8 cm, numbered: right: in black ink: 1910. church decoration, candleholders, candelabras, rocaille, works of ...
Editorial Wilhelm Weimar, hand drawing of the chandelier Hebe (Marcolini), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: u. l.: in black ink: 2059. graphics, eagles (attributes of Jupiter), history of Hebe (J...
Editorial Historiated initial 'E'(usebii) with a man reading (Georgius Trapezuntius?) combined with a full border with foliate decoration, flowers, besants, candelabras, birds, winged putti including two supporting a wreath enclosing the coat of arms of Cardinal...
Editorial Design for a Two-Armed Candelabra with a Dragon, Plate 1 from an Untitled Series of Designs for Suspended Candelabras.
Editorial Wall painting excavated in Resina showing a busy, riotous architectural design full of candelabras, rotundas, thin columns or calami, hook-shaped harpaginetuli, etc. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquiti...
Editorial Murals from Pompeii (circa 300BC to AD79): wall paintings from the House of Queen Caroline (Casa della Regina Carolina) at left, yellow candelabra with eagle from the Casa delle Danzatrichi, excavated in 1811, and other candelabras from the House of Ca...
Editorial Roman art. Victory goddesses decorate candelabras and sacrifice bulls. Part of the frieze from the central building of Trajan's Forum in Rome completed in 112 AD. Glyptothek. Munich. Germany.
Editorial Wall painting excavated in Resina showing a busy, riotous architectural design full of candelabras, rotundas, thin columns or calami, hook-shaped harpaginetuli, etc. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquiti...
Editorial Design for an Altar, Plate 4 from an Untitled Series of Designs for Altars.
Editorial Design for a Sconce and Two Candelabras.
Editorial Design for an Altar, Plate 1 from an Untitled Series of Designs for Altars.
Editorial Designs for Two Candelabras and a Pedestal.
Editorial Designs for Two Candelabras and Two Urns.
Editorial Design for an Altar, Plate 2 from an Untitled Series of Designs for Altars.
Editorial Designs for Two Candelabras.
Editorial Designs for Two Candelabras.
Editorial Designs for a Clock and Two Candelabras.
Editorial Designs for Three Candelabras.
Editorial Designs for Three Candelabras.
Editorial Full panel borders in colour and gold with foliate decoration, flowers, candelabras, dolphins, etc, and including the salamander, emblem of Francis I, his monogram, and his crowned coat of arms with the collar of the Order of St Michael, at the beginni...
Editorial Roman art. Victory goddesses decorate candelabras and sacrifice bulls. Part of the frieze from the central building of Trajan's Forum in Rome completed in 112 AD. Glyptothek. Munich. Germany.
Editorial Candelabras with Parrots, c. 1740. Meissen Porcelain Factory (German), Johann Joachim K?ndler (German, 1706-1768). Porcelain mounted in gilt bronze; part 1: 19.6 cm (7 11/16 in.); part 2: 29.6 x 32.1 cm (11 5/8 x 12 5/8 in.).
Editorial Candelabras, c. 1775. Derby Porcelain Factory (Chelsea-Derby Period). Soft-paste porcelain; part 1: 31.1 x 25.7 x 15.6 cm (12 1/4 x 10 1/8 x 6 1/8 in.); part 2: 32.4 x 25.6 x 14.2 cm (12 3/4 x 10 1/16 x 5 9/16 in.).
Editorial Design for a Sconce and Two Candelabras.
Editorial Designs for Two Candelabras and a Pedestal.
Editorial Designs for Two Candelabras and Two Urns.
Editorial Designs for Two Candelabras.
Editorial Designs for Two Candelabras.
Editorial Designs for a Clock and Two Candelabras.
Editorial Designs for Three Candelabras.
Editorial Designs for Three Candelabras.
Editorial Design for an Altar, Plate 4 from an Untitled Series of Designs for Altars.
Editorial Design for an Altar, Plate 1 from an Untitled Series of Designs for Altars.
Editorial Design for an Altar, Plate 2 from an Untitled Series of Designs for Altars.
Editorial Design for a Two-Armed Candelabra with a Dragon, Plate 1 from an Untitled Series of Designs for Suspended Candelabras.
Editorial Rosewater sprinkler.
Editorial Wall painting excavated in Resina showing a busy, riotous architectural design full of candelabras, rotundas, thin columns or calami, hook-shaped harpaginetuli, etc. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquiti...
Editorial Full panel borders in colour and gold with foliate decoration, flowers, candelabras, dolphins, etc, and including the salamander, emblem of Francis I, his monogram, and his crowned coat of arms with the collar of the Order of St Michael, at the beginni...
Editorial Historiated initial 'E'(usebii) with a man reading (Georgius Trapezuntius?) combined with a full border with foliate decoration, flowers, besants, candelabras, birds, winged putti including two supporting a wreath enclosing the coat of arms of Cardinal...
Editorial Right and Left Halves of Three Candelabras, 16th century, Pen and brown ink, over black chalk underdrawing, Anonymous, Italian, 16th century.
Editorial Wall painting excavated in Resina showing a busy, riotous architectural design full of candelabras, rotundas, thin columns or calami, hook-shaped harpaginetuli, etc. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquiti...
Editorial Design for an Altar, Plate 4 from an Untitled Series of Designs for Altars.
Editorial Design for a Sconce and Two Candelabras.
Editorial Design for an Altar, Plate 1 from an Untitled Series of Designs for Altars.
Editorial Designs for Two Candelabras and a Pedestal.
Editorial Designs for Two Candelabras and Two Urns.
Editorial Design for an Altar, Plate 2 from an Untitled Series of Designs for Altars.
Editorial Rosewater sprinkler.
Editorial Designs for Two Candelabras.
Editorial Design for a Two-Armed Candelabra with a Dragon, Plate 1 from an Untitled Series of Designs for Suspended Candelabras.
Editorial Designs for Two Candelabras.
Editorial Designs for a Clock and Two Candelabras.
Editorial Designs for Three Candelabras.
Editorial Designs for Three Candelabras.
Editorial Designs for Three Planters, Three Candelabras, a Dish and a Serving Tray, 19th century, Pen and brown ink, a: 7 3/8 x 11 1/16 in. (18.8 x 28.1 cm), Drawings, Anonymous, French, 19th century.
Editorial Designs for Three Candelabras, Two Fruit Dishes and a Server, 19th century, Pen and brown ink, image: 14 7/16 x 11 in. (36.6 x 27.9 cm), Drawings, Anonymous, French, 19th century.
Editorial Designs for Three Candelabras and an Urn, 19th century, Pen and brown ink, image: 10 13/16 x 15 15/16 in. (27.5 x 40.5 cm), Drawings, Anonymous, French, 19th century.
Editorial Right and Left Halves of Three Candelabras, 16th century, Pen and brown ink, over black chalk underdrawing, Anonymous, Italian, 16th century.
Editorial Roman art. Victory goddesses decorate candelabras and sacrifice bulls. Part of the frieze from the central building of Trajan's Forum in Rome completed in 112 AD. Glyptothek. Munich. Germany.
Editorial Wall painting excavated in Resina showing a busy, riotous architectural design full of candelabras, rotundas, thin columns or calami, hook-shaped harpaginetuli, etc. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquiti...
Editorial Murals from Pompeii (circa 300BC to AD79): wall paintings from the House of Queen Caroline (Casa della Regina Carolina) at left, yellow candelabra with eagle from the Casa delle Danzatrichi, excavated in 1811, and other candelabras from the House of Ca...