EditorialThe Calumny of Apelles. King Midas sits in judgement on " Ignorance" and " Suspicion". The plaintiff brings " Calumny" as a witness, who drags " Envy" by the hair. Botticelli recreated a lost painting by Greek pa...
EditorialThe Calumny of Apelles. Girolamo Mocetto; Italian, c. 1470-after 1531. Date: 1500-1506. Dimensions: 318 x 457 mm. Engraving in black on ivory laid paper. Origin: Italy.
EditorialThe Calumny of Apelles. Girolamo Mocetto; Italian, c. 1470-after 1531. Date: 1500-1506. Dimensions: 318 x 457 mm. Engraving in black on ivory laid paper. Origin: Italy.
EditorialThe Calumny of Apelles [fol. 6 recto]. Dated: 1512/1514. Dimensions: overall: 16.3 x 10.9 cm (6 7/16 x 4 5/16 in.). Medium: pen and brown ink with watercolor on laid paper.
EditorialThe Calumny of Apelles, 1870-1900 Artist Ericole Benussi (after Sandro Botticelli), Copy of the original Botticelli painting in Uffizi, Florence. It's based upon Lucian of Samosata's description of 'Calumny' by Apelles (a Greek painter of the Hellenist...
EditorialCalumny of Apelles, 1565. An allegory in which Truth triumphs over all her enemies. The subject is taken from a painting by the classical Greek artist Apelles. Latin titles explain the figures: Sitting on a throne to the right is a king with large ears...
EditorialDish with the Calumny of Apelles and the arms of the Ridolfi family Dish with an allegory of the Slander and the arms of the Florentine family Ridolfi, Round dish of multi-colored painted majolica, painted with an allegory of the Slander to Apelles. A ...
EditorialThe Calumny of Apelles. Girolamo Mocetto; Italian, c. 1470-after 1531. Date: 1500-1506. Dimensions: 318 x 457 mm. Engraving in black on ivory laid paper. Origin: Italy.
EditorialThe Calumny of Apelles [fol. 6 recto]. Dated: 1512/1514. Dimensions: overall: 16.3 x 10.9 cm (6 7/16 x 4 5/16 in.). Medium: pen and brown ink with watercolor on laid paper.
EditorialThe Calumny of Apelles. King Midas sits in judgement on " Ignorance" and " Suspicion". The plaintiff brings " Calumny" as a witness, who drags " Envy" by the hair. Botticelli recreated a lost painting by Greek pa...
EditorialCalumny of Apelles, 1565. An allegory in which Truth triumphs over all her enemies. The subject is taken from a painting by the classical Greek artist Apelles. Latin titles explain the figures: Sitting on a throne to the right is a king with large ears...
EditorialThe Calumny of Apelles [fol. 6 recto]. Dated: 1512/1514. Dimensions: overall: 16.3 x 10.9 cm (6 7/16 x 4 5/16 in.). Medium: pen and brown ink with watercolor on laid paper.
EditorialThe Calumny of Apelles, 1560, Engraving, sheet: 14 3/8 x 12 1/2 in. (36.5 x 31.7 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520?1582 Mantua), After Luca Penni (Italian, Florence 1500/1504?1557 Paris).
EditorialThe Calumny of Apelles. King Midas sits in judgement on " Ignorance" and " Suspicion". The plaintiff brings " Calumny" as a witness, who drags " Envy" by the hair. Botticelli recreated a lost painting by Greek pa...
EditorialCalumny of Apelles, 1565. An allegory in which Truth triumphs over all her enemies. The subject is taken from a painting by the classical Greek artist Apelles. Latin titles explain the figures: Sitting on a throne to the right is a king with large ears...