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Editorial Francisco de Goya y Lucientes / 'Big Booby'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint, Retroussage on ivory paper.
Editorial The same, plate 3 of 'The Disasters of War' - 1810/14 - 16,2x22,3 cm - etching, lavis, drypoint, burin and burnisher.
Editorial Francisco de Goya y Lucientes / 'Folly of poverty'. 1815 - 1819. Etching, Aquatint, Burnisher, Burin, Drypoint on wove paper.
Editorial Mariano Fortuny / 'Anchorite'. 1916. Etching, Aquatint, Burnisher on paper.
Editorial Mariano Fortuny / 'Anchorite'. 1916. Etching, Aquatint, Burnisher on paper.
Editorial Francisco de Goya y Lucientes / 'The kidnapping horse'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint, Retroussage on ivory paper.
Editorial Mariano Fortuny / 'Anchorite'. 1916. Etching, Aquatint, Burnisher on paper.
Editorial Francisco de Goya y Lucientes / 'Nothing. The Event will tell'. 1814 - 1815. Wash, Etching, Aquatint, Burnisher, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'This too'. 1810 - 1814. Etching, Aquatint, Burnisher on ivory paper.
Editorial Francisco de Goya y Lucientes / 'They make use of them (Disasters of War, 16)'. 1810 - 1814. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Perhaps they are of another breed'. 1812 - 1814. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Hapless Mother!'. 1812 - 1814. Etching, Aquatint, Burnisher, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Against the Common Weal'. 1814 - 1815. Etching, Burnisher on ivory paper.
Editorial Francisco de Goya y Lucientes / 'What courage!'. 1810 - 1814. Etching, Aquatint, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'He defends himself well'. 1814 - 1815. Etching, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / '?Que alboroto es este?'. 1814 - 1815. Etching, Aquatint, Burnisher, Burin on ivory paper.
Editorial Francisco de Goya y Lucientes / 'It?s no use crying out'. 1812 - 1814. Etching, Aquatint, Burnisher, Burin on ivory paper.
Editorial Por que? (Why?). Dated: published 1863. Medium: etching, lavis, drypoint, burin, and burnisher.
Editorial Francisco de Goya y Lucientes / 'This too'. 1810 - 1814. Etching, Aquatint, Burnisher on ivory paper.
Editorial Mariano Fortuny / 'Anchorite'. 1916. Etching, Aquatint, Burnisher on paper.
Editorial Francisco de Goya y Lucientes / 'Death of the Alcalde of Torrej?n, on the Stone seats in the bull-ring at Madrid'. 1814 - 1816. Wash, Etching, Aquatint, Burnisher, Burin, Drypoint on white laid paper.
Editorial Francisco de Goya y Lucientes / 'Big Booby'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint on wove paper.
Editorial Francisco de Goya y Lucientes / 'The kidnapping horse'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint, Retroussage on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Big Booby'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint, Retroussage on ivory paper.
Editorial Francisco de Goya y Lucientes / 'There is No Time Left'. 1810 - 1814. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'It?s no use crying out'. 1812 - 1814. Etching, Aquatint, Burnisher, Burin on ivory paper.
Editorial Francisco de Goya y Lucientes / 'They do not know the way'. 1814 - 1815. Etching, Burnisher, Burin, Drypoint on ivory paper.
Editorial Two Human Beings. The Lonely Ones. Edvard Munch; Norwegian, 1863-1944. Date: 1894. Dimensions: 168 x 225 mm (plate); 343 x 480 mm (sheet). Drypoint, roulette, and burnisher on copper plate printed on cream wove paper. Origin: Norway.
Editorial Mariano Fortuny / 'Anchorite'. 1916. Etching, Aquatint, Burnisher on paper.
Editorial The same, plate 3 of 'The Disasters of War' - 1810/14 - 16,2x22,3 cm - etching, lavis, drypoint, burin and burnisher.
Editorial They do not know the way, plate 70 of 'The Disasters of War' - 1810/14 - 17,7x22 cm - etching, drypoint, burin and burnisher.
Editorial Sad forebodings of what is to come, plate 1 of 'The Disasters of War' - 1810/14 - 17,8x22 cm - etching, drypoint, burin and burnisher.
Editorial Francisco de Goya y Lucientes / 'There is No Time Left'. 1810 - 1814. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'He defends himself well'. 1814 - 1815. Etching, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Bitter presence'. 1810 - 1814. Wash, Etching, Burnisher, Burin on ivory paper.
Editorial Artist: Francisco Goya, Spanish, 17461828, Maja [with a dark?background], late 18thearly 19th century, published?1971, Etching, aquatint, and burnisher; restrike, platemark: 19 ? 12 cm (7 1/2 ? 4 3/4 in.), Spanish, 18th?century, Works on Paper -?Prints.
Editorial The Great Lansquenet or Standard Bearer.
Editorial Francisco de Goya y Lucientes / 'This is the truth'. 1814 - 1815. Etching, Aquatint, Burnisher, Drypoint on continuous cream paper.
Editorial Francisco de Goya y Lucientes / 'Big Booby'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint, Retroussage on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Loyalty'. 1815 - 1819. Etching, Aquatint, Burnisher, Retroussage on ivory paper.
Editorial Francisco de Goya y Lucientes / 'People in Sacks'. 1815 - 1819. Etching, Aquatint, Burnisher on wove paper.
Editorial Francisco de Goya y Lucientes / 'The kidnapping horse'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint on wove paper.
Editorial Francisco de Goya y Lucientes / 'The kidnapping horse'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint, Retroussage on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Folly of fear'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint on wove paper.
Editorial Por que? (Why?). Dated: published 1863. Medium: etching, lavis, drypoint, burin, and burnisher.
Editorial Francisco de Goya y Lucientes / 'Big Booby'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint on wove paper.
Editorial Francisco de Goya y Lucientes / 'Two groups of picadors knocked over one after another by the bull'. 1814 - 1816. Etching, Aquatint, Burnisher, Burin, Drypoint on white laid paper.
Editorial Francisco de Goya y Lucientes / 'What courage!'. 1810 - 1814. Etching, Aquatint, Burnisher, Burin, Drypoint on ivory paper.
Editorial Francisco de Goya y Lucientes / 'Loyalty'. 1815 - 1819. Etching, Aquatint, Burnisher on wove paper.
Editorial The Great Lansquenet or Standard Bearer.
Editorial The Great Lansquenet or Standard Bearer.
Editorial Ravages of war, plate 30 of 'The Disasters of War' - 1810/14 - 14,1x17 cm - etching, drypoint, burin and burnisher.
Editorial Francisco de Goya y Lucientes / 'Cartloads to the cemetery'. 1812 - 1814. Etching, Aquatint, Burnisher, Burin on ivory paper.
Editorial Francisco de Goya y Lucientes / 'The kidnapping horse'. 1815 - 1819. Etching, Aquatint, Burnisher, Drypoint, Retroussage on ivory paper.
Editorial Francisco de Goya y Lucientes / 'They make use of them (Disasters of War, 16)'. 1810 - 1814. Wash, Etching, Burnisher, Burin, Drypoint on ivory paper.