EditorialRinaldo under the spell of Armida. From Torquato Tasso's " Gerusalemme Liberata". Armida, the Sarazene magician, falls in love with her former enemy, the crusader Rinaldo. Canvas, 105 x 140 cm Inv. L 164 Bayerische Staatsgemaeldesammlungen.
EditorialApotheosis of Prince-bishop Carl Ph. von Greiffenklau, whose portrait in a medallion is born to heaven. An angel with tuba announces his arrival. Ceiling fresco in the staircase of Wuerzburg Episcopal Residence, 1753 See 14-02-02 / 46-58, 14-01-04 / 21-43.
EditorialCoriolanus before the walls of Rome, 1750-1753 Coriolanus, banished from Rome, returns with an army of Volscans, but spares the city when his mother begs for clemency. Canvas, 103,3 x 122 cm Inv. F 83.
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialFacade of Wuerzburg palace, residence of the Prince-Bishop. Begun 1720 by Prince-Bishop Johann Philipp Franz von Schoenborn; plans by Balthasar Neumann, Lucas von Hildebrandt and Johann Dientzenhofer. For Wuerzburg see 14-02-02 / 46-58,14-01-04 / 21-43.
EditorialAsia, detail from the ceiling fresco, staircase, Wuerzburg Episcopal Residence. Asia, enthroned on an elephant, men capturing a tigress, Mount Calvary with crosses and pilgrims, a pyramid and the queen of Egypt. 1753. For Wuerzburg see 14-02-02 / 46-58...
EditorialTomb of Prince-bishop Rudolf von Scherenberg (1401-1495). Elected at age 65 and expected to make room for a younger man soon, he surprised his chapter by reigning for 29 years. Red marble, around 1500.
EditorialA self-portrait shows an exhausted, much aged Tiepolo who bends over the corner cartouche. Fresco on the ceiling of the staircase of Wuerzburg episcopal Residence. 1753 For Wuerzburg see 14-02-02 / 46-58, 14-01-04 / 21-43.
EditorialMucius Scaevola before Porsenna, 1750-1753 Scaevola, holding his hand into the fire, claims that his 300 men are of equal courage and thereby convinces the Etruscan king Porsenna to lift the siege of Rome. Canvas, 103,2 x 121,7 cm Inv. F 82.
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialWürzburg. Accurate Vorstellung der Hoch-Fürstl. Bisch?ffl. R. Nürnberg : J.B. Homann, 1723. Würzburg, looking east. The new palace, the residence of the prince-bishop, is shown upper left. On the southern bank of the River Main, the Marienberg for...
EditorialMucius Scaevola before Porsenna, 1750-1753 Scaevola, holding his hand into the fire, claims that his 300 men are of equal courage and thereby convinces the Etruscan king Porsenna to lift the siege of Rome. Canvas, 103,2 x 121,7 cm Inv. F 82.
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialBeatrix, bride of Emperor Friedrich Barbarossa, riding Apollo's sun chariot in the ceiling fresco of the Emperor's Hall, " the Kaisersaal" at the Wuerzburg Residence (1752) .
EditorialWürzburg. Accurate Vorstellung der Hoch-Fürstl. Bisch?ffl. R. Nürnberg : J.B. Homann, 1723. Würzburg, looking east. The new palace, the residence of the prince-bishop, is shown upper left. On the southern bank of the River Main, the Marienberg for...
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialBeatrix, bride of Emperor Friedrich Barbarossa, riding Apollo's sun chariot in the ceiling fresco of the Emperor's Hall, " the Kaisersaal" at the Wuerzburg Residence (1752) .
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialCoriolanus before the walls of Rome, 1750-1753 Coriolanus, banished from Rome, returns with an army of Volscans, but spares the city when his mother begs for clemency. Canvas, 103,3 x 122 cm Inv. F 83.
EditorialCeiling fresco in the staircase of the Wuerzburg episcopal residence. Its topics are Apollo as patron of the muses and the apotheosis of the (third builder) Prince-bishop Carl-Philipp von Greiffenklau. The sides show the four (then known) continents. 1753.
EditorialTomb of Prince-bishop Rudolf von Scherenberg (1401-1495). Elected at age 65 and expected to make room for a younger man soon, he surprised his chapter by reigning for 29 years. Red marble, around 1500.
EditorialFacade of Wuerzburg palace, residence of the Prince-Bishop. Begun 1720 by Prince-Bishop Johann Philipp Franz von Schoenborn; plans by Balthasar Neumann, Lucas von Hildebrandt and Johann Dientzenhofer. For Wuerzburg see 14-02-02 / 46-58,14-01-04 / 21-43.