EditorialArtist: D. Wiest, American, The Larder?Invaded, Hand-colored lithograph, Image: 47.4 ? 64.8 cm (18 11/16 ? 25 1/2 in.); Sheet: 61 ? 76.4 cm (24 ? 30 1/16?in.), Made in United States, American, 19th?century, Works on Paper -?Prints.
EditorialArtist: D. Wiest, American, The Rescue of John?Wesley, Tinted lithograph, 48.5 ? 65.1 cm (19 1/8 ? 25 5/8 in.), Made in United States, American, 19th?century, Works on Paper -?Prints.
Editorial From left: Dianne Wiest, Patricia Conolly and Tonya Pinkins in the play "Rasheeda," in New York, Jan. 26, 2015. (Sara Krulwich/The New York Times)
EditorialDianne Wiest as Winnie in a Theater for a New Audience production of “Happy Days,” in New York, April 22, 2017. (Julieta Cervantes/The New York Times)
EditorialClockwise from left, Dianne Wiest, Al Pacino and Marisa Tomei, “Oscar Wilde’s ‘Salome’: The Reading,” the last Broadway credit for the set designer, Peter Larkin, at the Ethel Barrymore Theater, in New York, April 10, 2003. (Sara Krulwich/The New York Times)
Editorialat arrivals for THE MULE Premiere, Regency Village Theatre - Westwood, Los Angeles, CA December 10, 2018. Photo By: Elizabeth Goodenough/Everett Collection
Editorialat arrivals for THE MULE Premiere, Regency Village Theatre - Westwood, Los Angeles, CA December 10, 2018. Photo By: Priscilla Grant/Everett Collection