EditorialGiovanni Grosso of the Swiss Guards Standing before a View of Rome. Dimensions: overall: 32.4 x 23.1 cm (12 3/4 x 9 1/8 in.). Medium: watercolor over black ink on laid paper.
EditorialSaint John in the Wilderness (Saint Hilarion), Francesco Villamena, ca.1566 1626, Engraving on paper, Half-length figure, turned half-left, leaning on his elbows and comtemplating a cross resting on a skull. Below, two-line Latin inscription, and artis...
EditorialSaint Paul the Hermit, Francesco Villamena, ca.1566 1626, Ferra? Fenzoni, Italian, 1562 - 1645, Engraving on paper, Half-length figure of a nude elderly man, turned half-left, leaning on his elbows and holding a rosary in his left hand, a skill before ...
EditorialFrancesco Villamena, The Descent from the Cross, Francesco Villamena (Italian, Assisi ca. 15651624 Rome), After Federico Barocci (Italian, Urbino ca. 15351612 Urbino), 1606, Engraving, Sheet (Trimmed): 21 11/16 ? 12 7/8 in. (55.1 ? 32.7 cm), Prints.
EditorialFrancesco Villamena, The rest on the flight into Egypt, Francesco Villamena (Italian, Assisi ca. 15651624 Rome), After Girolamo Muziano (Italian, Acquafredda, Brescia 15281592 Rome), 1597, Engraving, Sheet (Trimmed): 8 1/16 ? 5 11/16 in. (20.4 ? 14.5 c...
EditorialFrancesco Villamena (Attributed to) / 'Satyr with a Fishing-rod Handing a Fish to a Nymph'. Late XVI - Primer cuarto del siglo XVII century. Pencil, Grey-brown ink on yellow paper.
EditorialAnonymous (Circle of Villamena, Francesco) / 'The Judgement of Paris'. Late XVI - Early XVII century. Wash, White lead, Pencil, Pencil ground, Grey-brown ink on blue paper.
EditorialAnonymous (Circle of Villamena, Francesco) / 'Half-lenght Composition, with Male Figures'. Early Finales del siglo XVI - XVII century. Pencil, Grey-brown ink on yellow paper.
EditorialAnonymous (Circle of Villamena, Francesco) / 'St. Margaret'. Early Finales del siglo XVI - XVII century. Wash, Pencil, Pencil ground, Grey-brown ink on brown paper.
EditorialFrancesco Villamena, Italian, 1566-1624, after Raphael, Italian, 1483-1520, Cain and Abel's Offering and the Death of Abel, between 1566 and 1624, engraving printed in black ink on laid paper, Plate: 3 3/4 ? 10 3/8 inches (9.5 ? 26.4 cm).
EditorialAnonymous (Circle of Villamena, Francesco) / 'Putto Holding a Martyr?s Palm'. Early Finales del siglo XVI - XVII century. Wash, Pencil, Chalk ground, Grey-brown ink on yellow paper.
EditorialFrancesco Villamena (Attributed to) / 'Studies of Figures and Animals'. Late XVI - Primer cuarto del siglo XVII century. Pencil, Grey-brown ink on brown paper.
EditorialFrancesco Villamena (Attributed to) / 'Satyr with a Fishing-rod Handing a Fish to a Nymph'. Late XVI - Primer cuarto del siglo XVII century. Pencil, Grey-brown ink on yellow paper.
EditorialFrancesco Villamena (Attributed to) / 'Diana Tending the Sleeping Endymion'. Late XVI - Primer cuarto del siglo XVII century. Pencil, Grey-brown ink on yellow paper.
EditorialFrancesco Villamena (Attributed to) / 'Studies of Figures and Animals'. Late XVI - Primer cuarto del siglo XVII century. Pencil, Grey-brown ink on brown paper.
EditorialFrancesco Villamena (Attributed to) / 'Satyr with a Fishing-rod Handing a Fish to a Nymph'. Late XVI - Primer cuarto del siglo XVII century. Pencil, Grey-brown ink on yellow paper.
EditorialAnonymous (Circle of Villamena, Francesco) / 'The Judgement of Paris'. Late XVI - Early XVII century. Wash, White lead, Pencil, Pencil ground, Grey-brown ink on blue paper.
EditorialAnonymous (Circle of Villamena, Francesco) / 'Putto Holding a Martyr?s Palm'. Early Finales del siglo XVI - XVII century. Wash, Pencil, Chalk ground, Grey-brown ink on yellow paper.
EditorialAnonymous (Circle of Villamena, Francesco) / 'Half-lenght Composition, with Male Figures'. Early Finales del siglo XVI - XVII century. Pencil, Grey-brown ink on yellow paper.
EditorialAn example of an 'all-over design, in which the entire surface of the book is decorated with a mosiac of coloured leather onlays, featuring pointillé motifs contained within a gold-tooled fanfare framework... (see 'Beautiful bookbindings ... by PJM Ma...
EditorialThe Penitent Magdalene. Dated: first quarter 17th century. Dimensions: sheet (trimmed within platemark): 18.2 x 14.3 cm (7 3/16 x 5 5/8 in.). Medium: engraving on laid paper.
EditorialGiovanni Grosso of the Swiss Guards Standing before a View of Rome. Dimensions: overall: 32.4 x 23.1 cm (12 3/4 x 9 1/8 in.). Medium: watercolor over black ink on laid paper.
EditorialThe Penitent Magdalene. Dated: 17th century. Dimensions: overall (cut to platemark): 18.5 x 14.2 cm (7 5/16 x 5 9/16 in.). Medium: engraving on laid paper.
EditorialThe Penitent Magdalene. Dated: first quarter 17th century. Dimensions: sheet (trimmed within platemark): 18.2 x 14.3 cm (7 3/16 x 5 5/8 in.). Medium: engraving on laid paper.
EditorialGiovanni Grosso of the Swiss Guards Standing before a View of Rome. Dimensions: overall: 32.4 x 23.1 cm (12 3/4 x 9 1/8 in.). Medium: watercolor over black ink on laid paper.
EditorialThe Penitent Magdalene. Dated: 17th century. Dimensions: overall (cut to platemark): 18.5 x 14.2 cm (7 5/16 x 5 9/16 in.). Medium: engraving on laid paper.
EditorialGeminiano Caldarostaro crying out and holding a tub, with a tasseled hat, ca. 1597?1601, Engraving, image: 12 5/8 x 8 1/8 in. (32 x 20.6 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565?1624 Rome).
EditorialGiovanni Alto (Johann Alten, Ioannes Altus) standing on the Quirinal Hill in Rome, with his right arm outstretched in a pointing position and a snake coiled around his foot and sword, 1613, Engraving, image: 14 7/16 x 9 1/8 in. (36.7 x 23.2 cm), Prints...
EditorialPortrait of Cardinal Christopher Clavius, 1606, Engraving, 12 3/16 x 8 7/16 in. (31 x 21.5 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565?1624 Rome).