EditorialA procession of Chinese dignitaries, 1808. The procession, including a palanquin, is making its way inland from the sea. Winding its way through the colourful village it passes a group of kneeling spectators. From the transformations of "Sakya Tathagat...
Editorial'Bridge of infinities'. A bridge between planets. Un autre monde. Transformations, visions, incarnations ... et autres choses. (Paris, 1844. Science fiction. Black and white illustration. Source: 1458.k.10. Language: French.
EditorialRoyal Victoria Hall, Lambeth. Poole's great world diorama. Illustrating the leading places of interest, events of importance and different aspects of the world. The new and magnificent scenery. Charming transformations, and novel mechanical effects, co...
Editorial'Bridge of infinities'. A bridge between planets. Un autre monde. Transformations, visions, incarnations ... et autres choses. (Paris, 1844. Science fiction. Black and white illustration. Source: 1458.k.10. Language: French.
EditorialOne eyed creatures looking at a female figure. Un autre monde. Transformations, visions, incarnations ... et autres choses. Paris, 1844. Science-fiction. Black and white engraving / illustration. Source: 1458.k.10 page 102. Language: French.
EditorialA procession of Chinese dignitaries, 1808. The procession, including a palanquin, is making its way inland from the sea. Winding its way through the colourful village it passes a group of kneeling spectators. From the transformations of "Sakya Tathagat...
Editorial'The Microscope,' Spooner's Transformations, No. 2, William Spooner, England, active 1830 1854, Lithograph and brush and watercolor on paper, Title between two vignettes: 'Displaying to the horror stricken old woman the wonderful inhabitants of a Drop ...
EditorialOptical Toy: 'The Rival Heros' (Spooner's Transformations, no. 7), William Spooner, England, active 1830 1854, Lithograph, brush and watercolor on paper, mounted, Two fighting cocks in an arena - when held to the light they become Napoleon and Wellingt...
EditorialArtist: Romeyn de Hooghe, Dutch 1645-1708, Schouwburg van Nederlantse Veranderinge (Theater of Netherlandish?Transformations), Etching, Sheet: 23.3 ? 14.8 cm (9 3/16 ? 5 13/16in.); platemark: 22.3 ? 13.9 cm (8 3/4 ? 5?1/2in.), Made in The Netherlands, ...
EditorialUnknown Artist, Capitoline Antonious, 1600-1800, pen and ink, wash on paper, 9 1/8 in. x 13 3/8 in. (23.1 cm. x 33.9 cm.), Italian artists of the late eighteenth and early nineteenth centuries studied ancient statuary with renewed interest and invigora...
EditorialSeated Osiris-Anedjty, Ptolemaic Period, 285?246 B.C. probably, From Egypt, Central Delta, Behbeit el-Hagar (Hebyt, Iseum), Granodiorite, H. 71.5 ? W. 71.8 cm (28 1/8 ? 28 1/4 in.), The Iseum, or temple of Isis, at Behbeit el Hagar in the central Delta...
EditorialNectanebo II Offers to Osiris Hemag, Late Period, Dynasty 30, 360?343 B.C., From Egypt, Central Delta, Behbeit el-Hagar (Hebyt, Iseum), Granodiorite, H. 93.2 ? W. 170.8 cm (36 11/16 ? 67 1/4 in.), The Iseum, or temple of Isis, at Behbeit el Hagar in th...
EditorialEditing a summit, The Mont-Blanc massif, 36bis, after p. 76, Viollet-le-Duc, Eug?ne Emmanuel, 1876, Eug?ne Emmanuel Viollet-le-Duc: Le massif du Mont Blanc: ?tude sur sa constitution g?od?sique et g?ologique, sur ses transformations et sur l'?tat ancie...