EditorialRoman fresco depicting a scene with masked actors. Could refer to the myth of Auge by the presence of a baby, perhaps Telephus, in the arms of a woman. Viridarium. House of the Dioscuri, Pompeii, Italy. National Archaeological Museum. Naples. Italy.
EditorialPlate 12: Triumphal arch, elevation of the back facade, surmounted with the arms of Ferdinand and decorated with five mythical or heroic scenes; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis... '.
EditorialItaly. Herculaneum. House of the Relief of Telephus, with the adjacent House of the Gem. (Eat.Ins,I,2). Built on three levels during August period (27BC-14 AD). It was remodeled afther the earthquake in 62 AD. View of the atrium which is a street level...
EditorialThe most reasonable explanation for this painting is that is shows Hercules and his son Telephus, who was suckled by a doe. The beautiful woman seated holding a staff may be Arcadia or the earth goddess Tellus (Terra). Behind them are Pan with his pipe...
EditorialItaly. Herculaneum. House of the Relief of Telephus, with the adjacent House of the Gem. (Eat.Ins,I,2). Built on three levels during August period (27BC-14 AD). It was remodeled afther the earthquake in 62 AD. View of the atrium which is a street level...
EditorialPergamon Altar. 164-156 BC. Telephos Frieze. Detail. Telephus asking Agamemnon to cure him and threatens to kill Orestes, who takes him hostage to force Agamemnon to heal him. Pergamon Museum. Berlin. Germany.
EditorialPergamon Altar. 164-156 BC. Telephos Frieze. Detail. Telephus consults an oracle about the healing of his wound. Pergamon Museum. Berlin. Germany.
EditorialThe most reasonable explanation for this painting is that is shows Hercules and his son Telephus, who was suckled by a doe. The beautiful woman seated holding a staff may be Arcadia or the earth goddess Tellus (Terra). Behind them are Pan with his pipe...
EditorialPergamon Altar. 164-156 BC. Telephos Frieze. Detail. Telephus asking Agamemnon to cure him and threatens to kill Orestes, who takes him hostage to force Agamemnon to heal him. Pergamon Museum. Berlin. Germany.
EditorialPergamon Altar. 164-156 BC. Telephos Frieze. Detail. Telephus asking Agamemnon to cure him and threatens to kill Orestes, who takes him hostage to force Agamemnon to heal him. Pergamon Museum. Berlin. Germany.
EditorialThe most reasonable explanation for this painting is that is shows Hercules and his son Telephus, who was suckled by a doe. The beautiful woman seated holding a staff may be Arcadia or the earth goddess Tellus (Terra). Behind them are Pan with his pipe...
EditorialPlate 12: Triumphal arch, elevation of the back facade, surmounted with the arms of Ferdinand and decorated with five mythical or heroic scenes; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis... '.
EditorialThe Marriage of Telephus and Auge prevented, late 18th?early 19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/8 ? 4 11/16 in. (8.6 ? 11.9 cm), Drawings, Edward Francis Burney (British, Worcester 1760?1848 London).
EditorialRoman fresco depicting a scene with masked actors. Could refer to the myth of Auge by the presence of a baby, perhaps Telephus, in the arms of a woman. Viridarium. House of the Dioscuri, Pompeii, Italy. National Archaeological Museum. Naples. Italy.
EditorialThe most reasonable explanation for this painting is that is shows Hercules and his son Telephus, who was suckled by a doe. The beautiful woman seated holding a staff may be Arcadia or the earth goddess Tellus (Terra). Behind them are Pan with his pipe...
EditorialPergamon Altar. 164-156 BC. Telephos Frieze. Detail. Telephus asking Agamemnon to cure him and threatens to kill Orestes, who takes him hostage to force Agamemnon to heal him. Pergamon Museum. Berlin. Germany.