EditorialRitual vessels Juan Francisco Elso used in his Santeria devotions, in “Eshú - Elegguá,” left, and “Oggún,” right, circa 1983 -84, at El Museo del Barrio in Manhattan on Dec. 19, 2022. (Jeenah Moon/The New York Times)
EditorialRitual vessels Juan Francisco Elso used in his Santeria devotions, in “Eshú - Elegguá,” left, and “Oggún,” right, circa 1983 -84, at El Museo del Barrio in Manhattan on Dec. 19, 2022. (Jeenah Moon/The New York Times)