EditorialThe central atrium of Sydney Modern, the new Sanaa-designed extension for the Art Gallery of New South Wales, with Lisa Reihana’s ‘‘Groundloop,’’ a monumental work on the upper level, in Sydney, Australia on Dec. 18, 2022. (Petrina Tinslay/The New York Times)
EditorialThe central atrium of Sydney Modern, the new Sanaa-designed extension for the Art Gallery of New South Wales, with Lisa Reihana’s ‘‘Groundloop,’’ a monumental work on the upper level, in Sydney, Australia on Dec. 18, 2022. (Petrina Tinslay/The New York Times)
EditorialPetrina Bromley at the Gerald Schoenfeld Theater in New York, where “Come From Away” had its final performance on Sunday, Oct. 2, 2022. (Jeenah Moon/The New York Times)
EditorialPetrina Bromley at the Gerald Schoenfeld Theater in New York, where “Come From Away” had its final performance on Sunday, Oct. 2, 2022. (Jeenah Moon/The New York Times)
EditorialMomofuku Seiobo, the acclaimed restaurant that David Chang opened in 2011 in Sydney’s Star Casino, March 23, 2018. (Petrina Tinslay/The New York Times)