EditorialProject for the exposition of the Host, Pencil, pen, ink and gray watercolor wash on paper, A stand is erected beneath the low arch, connecting two pilasters. The upper part of the intercolumnar space has a curtain as a background. The bottom of the st...
EditorialDesign for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Laterally are pilasters, the shaft of which is divided in three sections. Below are oblongs with bearded masks lying in panels. The central sections have a somewhat smalle...
EditorialSarcophagus for the Relic, Luigi Righetti, Italian, 1780 - 1819, Pen and brown ink, watercolor, over graphite Support: white laid paper, Scale: in pen and brown ink, lower center, in palmi quattro Romani, Rome, Italy, Italy, ca. 1825, architecture, Dra...
EditorialDesign for a Chimneypiece with Overmantel, Pen and brown ink, blue, gray, ochre wash, over black chalk Support: white laid paper laid down, Scale: at bottom left, in palmi, Italy, Italy, ca. 1700, architecture, Drawing, Drawing.
EditorialSculpture Gallery: Project for the Decoration of a Hall in a Palace during the Reign of the Emperor Napoleon as King of Italy, Black chalk on white laid paper, Design for a sculpture gallery. At right, is a section of a wall with windows. Pillars suppo...
EditorialDesign for Parts of a Coach, Pen and sepia ink, graphite on paper, Vertical rectangle. Design for parts of a coach more probably of Pope Gregory XVI (1831-1846) than Pope Pius IX (1846-1878). Profile view of the side of the body opposite the entrance s...
EditorialPavilion with a Clock and, Pen and black ink, gray wash, ochre and yellow wash, graphite Support: white laid paper, Scale: 60 Palmi Romani, Rome, Italy, Italy, ca. 1800, architecture, Drawing, Drawing.
EditorialWall and Ceiling Decorations in the Pompeiian Style, Felice Giani, Italian, 17581823, Pen and brown ink, brush and brown wash, black chalk, graphite on laid paper, Horizontal rectangle. Beginning at height of upper part of body of chandeliers, consisti...
EditorialDesign for a Console Table, Graphite, pen and bistre, brush, and watercolors on white laid paper, A design for a console table showing front and left side elevations. The marble table top is supported by two legs in front designed to resemble lion chim...
EditorialUrn, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, black chalk Support: light blue laid paper, Scale: in pen and black ink, lower margin, in Palmi Romani. Design after the Warwick Vase., Rome, Italy, Italy, ca. 1800, metalwork, Dr...
EditorialProject for the high altar in San Salvatore in Campo in Rome, Giuseppe Subleyras, Italian, 1745 1819, Pencil, pen, washes, chinese black, and various watercolor washes on paper, Vertical composition divided into two sections. The top section shows the ...
EditorialDesign for an altar for St. Anthony of Padua, Andrea Pozzo, Italian, 16421709, Pencil, pen and ink, brush, gray watercolor on paper, Above is the elevation with parts of the adjoining walls and of the entablature shown; below is the plan. Disposed in h...
EditorialTwo projects for a portable pulpit for the church in Offida, Pen, ink, light green water color and chinese black washes on paper, Vertical composition of two altars. The altar on the left is shown from the front and the altar on the right is shown from...
EditorialDesign for One Quarter of a Ceiling with a Central Circular Decoration, Felice Giani, Italian, 17581823, Pen and brown ink over traces of graphite on cream yellow laid paper, Horizontal rectangle. One-eight of decoration shown. Center: circular medalli...
EditorialAltar Lamp, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, graphite on white laid paper, Three chains with virtues. Scale: at bottom, in palmi romani, Rome, Italy, Italy, 18001825, lighting, Drawing, Drawing.