EditorialSingle Ben Affleck is seen out for a evening walk with his son, Samuel and daughter Fin, the Happy trio head to a ice cream parlor in Brentwood and pick up so ice cream.
EditorialLeon Statz’s old Chevrolet Chevell, stored in the now-empty dairy parlor, in Loganville, Wis., April 7, 2023. (Alyssa Schukar/The New York Times)
EditorialLeon Statz’s old Chevrolet Chevell, stored in the now-empty dairy parlor, in Loganville, Wis., April 7, 2023. (Alyssa Schukar/The New York Times)
EditorialLeon Statz’s old Chevrolet Chevell, stored in the now-empty dairy parlor, in Loganville, Wis., April 7, 2023. (Alyssa Schukar/The New York Times)
EditorialHangama Amiri with two of her works, from left, “Setayesh, Beauty Salon” and “Mah Chehra Beauty Parlor,” both from 2022, at her studio in New Haven, Conn., Jan. 12, 2023. (Sasha Rudensky/The New York Times)
EditorialThe Autumn Moon in the Mirror (Kyodai no shugetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)". Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1771. Dimensions: 28.8 x 21.8 cm (11 1/4 x 8 3/8 in.). Color woodblock print; c...
EditorialThe Wrapper for the series "Eight Views of the Parlor (Zashiki hakkei)". Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1771. Dimensions: 35.4 x 22.8 cm (13 7/8 x 8 7/8 in.). Woodblock print with ink wash. Origin: Japan.
Editorial A line of cars waits to enter the Dongjiao funeral parlor and crematory in Beijing, China on Dec. 20, 2022. (Gilles Sabrie/The New York Times)
EditorialLocal residents line up at the doorway of a food and aid distribution center established in the basement of a tattoo parlor, in Kherson, Ukraine on Dec. 8, 2022. (David Guttenfelder/The New York Times)
EditorialThe restored parlor at the Emily Dickinson Museum, featuring new historically accurate carpeting, curtains and wallpaper, in Amherst, Mass., Oct. 10, 2022. (Jillian Freyer/The New York Times)
EditorialThe restored parlor at the Emily Dickinson Museum, featuring new historically accurate carpeting, curtains and wallpaper, in Amherst, Mass., Oct. 10, 2022. (Jillian Freyer/The New York Times)