EditorialScene from 'Ondine, or the Naiad', a ballet. Matteo, the fisherman, watches Ondine, the water sprite. Beauties of the Opera and Ballet. London, 1845. Black and white illustration. Source: 1344.n.40, page 69. Language: English.
EditorialScene from 'Ondine, or the Naiad', a ballet. Matteo, the fisherman, sees the naiad arise from the water, standing on a sea shell. Beauties of the Opera and Ballet. London, 1845. Black and white engaving / illustration. Source: 1344.n.40, page 65. Langu...
EditorialFanny Cerrito, originally Francesca Cerrito (1817– 1909) Italian ballet dancer and choreographer. . Beauties of the Opera and Ballet. London, 1845. Performing the part of the Ondine, or the Naiad. Portrait. Black and white. Source: 1344.n.40, opposit...
EditorialFanny Cerrito, originally Francesca Cerrito (1817– 1909) Italian ballet dancer and choreographer. . Beauties of the Opera and Ballet. London, 1845. Performing the part of the Ondine, or the Naiad. Portrait. Black and white. Source: 1344.n.40, opposit...
EditorialScene from 'Ondine, or the Naiad', a ballet. Matteo, the fisherman, watches Ondine, the water sprite. Beauties of the Opera and Ballet. London, 1845. Black and white illustration. Source: 1344.n.40, page 69. Language: English.
EditorialScene from 'Ondine, or the Naiad', a ballet. Matteo, the fisherman, sees the naiad arise from the water, standing on a sea shell. Beauties of the Opera and Ballet. London, 1845. Black and white engaving / illustration. Source: 1344.n.40, page 65. Langu...
EditorialFanny Cerrito, originally Francesca Cerrito (1817– 1909) Italian ballet dancer and choreographer. . Beauties of the Opera and Ballet. London, 1845. Performing the part of the Ondine, or the Naiad. Portrait. Black and white. Source: 1344.n.40, opposit...
EditorialAutoportrait avec Ondine-Self-portrait with Undine. In his self-portraits, Gaugin often used favourite paintings of his own as a background. Here it is " Femme nue dans la vague, dit Ondine".1893 / 94 Canvas,46 x 38 cm Inv.3264.