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Editorial Panel painting of a woman in a blue mantle.
Editorial Peter Paul Rubens (1577-1640). Flemish painter. Hercules and Omphale. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
Editorial The Labours of Hercules. Roman mosaic. Detail. Depiction of Hercules and Omphale in the central part of the panel. Limestone. 3rd century AD. From Liria (Valencia province, Spain). National Archaeological Museum. Madrid. Spain.
Editorial Roman fresco depicting Heracle and Omphale. Detail. 1-79 AD. Third Pompeian Style. Pompeii. National Archaeological Museum. Naples. Italy.
Editorial Hercules and Omphale. Hercules is sold as a slave to Omphale, Queen of Lydia, to atone for the murder of Iphtios and the theft of the tripod of Delphi. The hero is forced to wear Omphale's clothes and jewelry. Copper, 24 x 19 cm Inv. 1126.
Editorial OMPHALE - 1962 - OLEO/LIENZO - 204x297.
Editorial “Hercules and Omphale,” by Artemisia Gentileschi, in the process of being repaired at the Getty Museum’s conservation studio in Los Angeles, Oct. 21, 2022. (Brian Guido/The New York Times)
Editorial Hans Cranach (Wittenberg (?), ca. 1513-Bologna, 1537). Hercules at the Court of Omphale (1537). Oil on panel. 57.5 x 85.3 cm.
Editorial Hercules Tamed By Love. This mischievous God in his triumphant ways subjects all, kings, shepherds, heroes and gays, Alcide interrupts his dreaded exploits and binds him while Omphale overjoys. (Gallant poetry by Monsieur Sauzet), plate 25 from Histoir...
Editorial Johann Heinrich Meissner, Hercules and Omphale, German, Johann Heinrich Meissner (active in Danzig, second half 18th century), 18th century, German, Boxwood; frame: black wood, Overall: 7 3/8 - 4 3/4 in. (18.7 - 12.1 cm), Sculpture.
Editorial Jean-Babtiste Baillon G?d?on Decombaz Pocket watch: " Hercules and Omphale" after Francois Lemoine Second quarter of the 18th century; Paris Gold, gilded brass, enamel OA 8338.
Editorial Hercules and Iole, 1710-1725 Giovanni Battista Foggini, The subject tells a story of the ancient Greek hero Hercules (or Heracles). Hercules was sold to Omphale, Queen of Lydia. He became her lover and whilst in her service started to display feminine ...
Editorial Terracotta vase with janiform heads, Late Classical, 4th century B.C., Etruscan, Terracotta, H. 5 1/2 in. (14 cm), Vases, Vases with janiform (back-to-back) heads were produced by Athenian potters near the end of the sixth century B.C. The heads usuall...
Editorial Omphale, Joseph Wilton, 1722-1803, British.
Editorial Hercules and Omphale, 1724 Canvas 184 x 149 cm M. I. 1086.
Editorial Hercules and Omphale. Date/Period: Ca. 1640. Painting. Oil on canvas Oil on canvas. Height: 1,270 mm (50 in); Width: 1,803 mm (70.98 in).
Editorial Sketchbook: Folio 73; Six Paintings of Bolognese School; Verso: Anatomical Drawings, Felice Giani, Italian, 17581823, Pen and brown ink, brush and sepia wash over traces of graphite on cream laid paper, At top, Hercules; inscribed: Francia Bologna. Rig...
Editorial Design for the Elevation of a Mantelpiece, Pen and ink, brush and watercolor, graphite on paper, Horizontal format design for an elevation of a mantelpiece. The opening is framed by a narrow moulding and laterally by pilaster strips. The vertical oblon...
Editorial KPM K?nigliche Porzellanmanufaktur Berlin, Hermann August Seger, Vase, Porcelain, glazed, Total: Height: 21,80 cm; Diameter: 12,80 cm, Porcelain mark: Sceptre mark, Sgr. P, Ornamental objects, Art Nouveau, On a smooth, flat base stands a man with a ful...
Editorial Wilhelm Weimar, small sculpture Omphale, glass negative, black-and-white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: o. r.: in black ink: 145, sculpture, sculpture, sculpture art, sculpture art.
Editorial Omphale, Joseph Wilton RA, 17221803, British, 1770s, Terracotta, Overall: 22 x 17 1/2 x 13 3/4 inches (55.9 x 44.5 x 34.9 cm), nude, portrait, woman.
Editorial painting, Nicolas Joseph Delin, 1786, Signature front, bottom right, on elevation: N. Delin pinxit 1786, canvas, oil paint, painted, Overall dimensions according to catalog 1983: 182 ? 120cm 1820 ? 1200mm, With frame: 205.5 ? 175 ? 6cm 2055 ? 1750 ? 60...
Editorial painting, Nicolas Joseph Delin, 1786, Signature front, bottom right, on elevation: N. Delin pinxit 1786, canvas, oil paint, painted, Overall dimensions according to catalog 1983: 182 ? 120cm 1820 ? 1200mm, With frame: 205.5 ? 175 ? 6cm 2055 ? 1750 ? 60...
Editorial painting, Nicolas Joseph Delin, 1786, Signature front, bottom right, on elevation: N. Delin pinxit 1786, canvas, oil paint, painted, Overall dimensions according to catalog 1983: 182 ? 120cm 1820 ? 1200mm, With frame: 205.5 ? 175 ? 6cm 2055 ? 1750 ? 60...
Editorial Hercules and Iole, 1710-1725 Giovanni Battista Foggini, The subject tells a story of the ancient Greek hero Hercules (or Heracles). Hercules was sold to Omphale, Queen of Lydia. He became her lover and whilst in her service started to display feminine ...
Editorial Hercules and Iole, 1710-1725 Giovanni Battista Foggini, The subject tells a story of the ancient Greek hero Hercules (or Heracles). Hercules was sold to Omphale, Queen of Lydia. He became her lover and whilst in her service started to display feminine ...
Editorial Hercules and Iole, 1710-1725 Giovanni Battista Foggini, The subject tells a story of the ancient Greek hero Hercules (or Heracles). Hercules was sold to Omphale, Queen of Lydia. He became her lover and whilst in her service started to display feminine ...
Editorial Hercules and Iole, 1710-1725 Giovanni Battista Foggini, The subject tells a story of the ancient Greek hero Hercules (or Heracles). Hercules was sold to Omphale, Queen of Lydia. He became her lover and whilst in her service started to display feminine ...
Editorial Hercules and Iole, 1710-1725 Giovanni Battista Foggini, The subject tells a story of the ancient Greek hero Hercules (or Heracles). Hercules was sold to Omphale, Queen of Lydia. He became her lover and whilst in her service started to display feminine ...
Editorial Large bronze can be used with dented turned floor. Spherical belly, short round standing neck and strongly protruding horizontal edge, flattened on the outside. Thick, rounded ear ending in a woman's head with lion's head cap (Omphale?) On an attache t...
Editorial Omphale, clay seal, dried clay, Color: anthracite, Shape: oval (intaille), convex, Processing:, Method: 20 x 10 mm, late Hellenistic, Turkey.
Editorial Vz: head of Omphale and profile to the left, part of the lion head partially over, long wavy locks, gem, intaglio, carnelian, Color: dark orange, Shape: oval, standing, Processing: in golden ring, , 14 x 11.5 mm, D. 3 mm, wt. 3.83 gr., 18th century 170...
Editorial F: Omphale standing to the right, strong s-curvature in body, lionskin with drooping claws and club over shoulder, ground line, gem, intaglio, carnelian, Color: yellow, Shape: oval, standing, Processing:, :, 18 x 13 mm, D. 3 mm, wt. 0.97 gr., 18th cent...
Editorial Vz: Herakles' lionskin around the shoulders and the club over her left shoulder with both hands, behind her in profile to the right a Cupid on his toes which both his arms extend to the club of Omphale, for her in profile to left a small Herakles with ...
Editorial Omphale runs to the left and carries the club over her right shoulder and draped the lion's hide over her shoulders and head, ground line, gem, intaglio, ringstone, glass (imitation of agate), Color: green, white and blue, transparent, Shape: oval, sta...
Editorial Vz: Forest statue of Omphale and profil to the left, gem, intaglio, carnelian, Color: yellow, Form: oval, standing, Processing:, Method of manufacture:, 27 x 21 mm, D. 2.5 mm, wt . 2.24 gr., 18th century 1700-1800.
Editorial Johann Heinrich Meissner, Hercules and Omphale, German, Johann Heinrich Meissner (active in Danzig, second half 18th century), 18th century, German, Boxwood; frame: black wood, Overall: 7 3/8 - 4 3/4 in. (18.7 - 12.1 cm), Sculpture.
Editorial Knuckle bone (astragal) with image of Omphale, Ptolemaic Period, Date 30430 B.C., From Egypt, Gabbro, L: 3.7 x W: 2.2 x Th: 2 cm (1 7/16 x 7/8 x 13/16 in.).
Editorial Omphale figure, Ptolemaic or Roman Period, Date 100 BC300 AD, From Egypt, Faience, H. 1.6 ? W. 1.2 ? D. 0.7 cm (5/8 ? 1/2 ? 1/4 in.).
Editorial Head of Hercules with the lion's skin and bust of Omphale, Italian, mid-16th century, Italian, Agate, Overall: 37.3 x 30.2 x 10.4 mm, Lapidary Work-Gems.
Editorial Saint James's Factory, Hercules and Omphale, British, Saint James's Factory (British, ca. 1748/491760), After a print by Laurent Cars (French, Lyons 16991771 Paris), After a painting by Fran?ois Le Moyne (French, Paris 16881737 Paris), ca. 1751, Britis...
Editorial Hercules and Omphale, probably Italian, late 17thearly 18th century, probably Italian, Sardonyx, mounted in gold as a pendant, Overall: 3 x 1 7/8in. (7.6 x 4.8cm); visible cameo: 54 x 43 mm, Lapidary Work-Gems.
Editorial HERCULES AND OMPHALE.
Editorial Unknown Artist, Hercules and Omphale, n.d., bronze, 3 5/16 in. x 4 3/16 in. (8.4 cm. x 10.6 cm.).
Editorial Unknown Artist, Hercules and Omphale, n.d., bronze, 3 5/16 in. x 4 3/16 in. (8.4 cm. x 10.6 cm.).
Editorial Willem Doudijns, Hercules and Omphale, 1630-1697, pen and brown ink, brown wash on paper, 7 15/16 in. x 14 3/16 in. (20.2 cm. x 36 cm.).
Editorial Roman fresco depicting Heracle and Omphale. 1-79 AD. Third Pompeian Style. Pompeii. National Archaeological Museum. Naples. Italy.
Editorial Peter Paul Rubens (1577-1640). Flemish painter. Hercules and Omphale. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
Editorial HERCULES AND OMPHALE.
Editorial Hercules Tamed By Love. This mischievous God in his triumphant ways subjects all, kings, shepherds, heroes and gays, Alcide interrupts his dreaded exploits and binds him while Omphale overjoys. (Gallant poetry by Monsieur Sauzet), plate 25 from Histoir...
Editorial Nicola di Gabriele Sbraghe, Italian, active 1520-1537, Plate Depicting Hercules and Omphale, ca. between 1528 and 1535, maiolica, tin-glazed earthenware, paint, Overall: 1 1/2 ? 10 1/8 inches (3.8 ? 25.7 cm).
Editorial Hercules and Omphale, Hercules sits next to Omphale, queen of Lydia, who has put an arm around him. Hercules was reproached as a slave in the service of Omphale. He has her spider skirt in his hands. She has his bow and arrow and the lion's skin and cl...
Editorial Spandrel with Rape of Orytheia Flanked by Hercules and Omphale. Possibly after Ciro Ferri; Italian, 1634-1689. Date: 1654-1689. Dimensions: 145 x 110 mm. Pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, lai...
Editorial Stove plate with Hercules, Omphale and Pan, Stove plate made of cast iron, divided into two zones. In the upper zone on the left is a naked man with club (Hercules), who is embraced by a naked woman (Omphale). There is a faun on the floor (Pan). A clot...
Editorial Peter Paul Rubens (1577-1640). Flemish painter. Hercules and Omphale. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
Editorial Spandrel with Rape of Orytheia Flanked by Hercules and Omphale. Possibly after Ciro Ferri; Italian, 1634-1689. Date: 1654-1689. Dimensions: 145 x 110 mm. Pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, lai...
Editorial Hercules and Omphale. Dated: c. 1600. Dimensions: plate: 44.6 x 32 cm (17 9/16 x 12 5/8 in.) sheet: 46.9 x 33.2 cm (18 7/16 x 13 1/16 in.). Medium: engraving on laid paper.
Editorial HERCULES AND OMPHALE.