Editorial“When you step out on a newly made clay court that is clean, all the lines are perfect. It makes for a very pleasing visual experience,” Stefanos Tsitsipas says. “But there’s also beauty when the courts are dirty and messed up and you can see all of the footwork and effort that has been put it and you have a visual of that, of how much work has been put in in order for you to succeed in what you do.” (Pete Kiehart/The New York Times)
Editorial“When you step out on a newly made clay court that is clean, all the lines are perfect. It makes for a very pleasing visual experience,” Stefanos Tsitsipas says. “But there’s also beauty when the courts are dirty and messed up and you can see all of the footwork and effort that has been put it and you have a visual of that, of how much work has been put in in order for you to succeed in what you do.” (Pete Kiehart/The New York Times)
Editorial“When you step out on a newly made clay court that is clean, all the lines are perfect. It makes for a very pleasing visual experience,” Stefanos Tsitsipas says. “But there’s also beauty when the courts are dirty and messed up and you can see all of the footwork and effort that has been put it and you have a visual of that, of how much work has been put in in order for you to succeed in what you do.” (Pete Kiehart/The New York Times)
Editorial“When you step out on a newly made clay court that is clean, all the lines are perfect. It makes for a very pleasing visual experience,” Stefanos Tsitsipas says. “But there’s also beauty when the courts are dirty and messed up and you can see all of the footwork and effort that has been put it and you have a visual of that, of how much work has been put in in order for you to succeed in what you do.” (Pete Kiehart/The New York Times)
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