EditorialElevation of Proposed House for George Eustis, Esq., Whitney Warren Jr., American, 18641943, Photostat (a wash drawing), on white wove paper, From 1896 to 1898 Whitney Warren worked intermittently in the offices of McKim, Mead & White as a draftsman, t...
EditorialGeorge Lethbridge Saunders, Mrs. George M. Gill (Ann McKim Bowly), American, George Lethbridge Saunders (18071863), 1841, American, Watercolor on ivory, Sight: 5 x 3 7/8 in. (12.7 x 9.8 cm), Paintings.
EditorialJohn Singer Sargent, Drapery Study, ca. 1910-1916, charcoal on blue-gray laid paper, 23 13/16 in. x 18 5/16 in. (60.48 cm x 46.51 cm), In 1890, architect Charles McKim secured John Singer Sargent as the designer of the 'Triumph of Religion,' the mural ...
EditorialKenyon Cox, Venice, 1894, oil on canvas, 144 in. x 288 in. (365.76 cm x 731.5 cm), The Museum's central rotunda is a magisterial space decorated below the dome by four large semicircular murals by the four leading painters of the American Renaissance: ...
EditorialJohn La Farge, Athens, 1898, oil on canvas, 108 in. x 240 in. (274.32 cm x 609.6 cm), The Museum's central rotunda is a magisterial space decorated below the dome by four large semicircular murals by the four leading painters of the American Renaissanc...
EditorialAbbott Handerson Thayer, Florence, 1894, oil on canvas, 144 in. x 288 in. (365.76 cm x 731.5 cm), The Museum's central rotunda is a magisterial space decorated below the dome by four large semicircular murals by the four leading painters of the America...
EditorialElihu Vedder, Rome (The Art Idea), 1894, oil on canvas, 144 in. x 288 in. (365.76 cm x 731.5 cm), The Museum's central rotunda is a magisterial space decorated below the dome by four large semicircular murals by the four leading painters of the America...
EditorialThe Schomburg Center, with the public library designed by Charles McKim at the left, in New York, Aug. 13, 2020. (DeSean McClinton-Holland/The New York Times)
EditorialThe Schomburg Center, with the public library designed by Charles McKim at the left, in New York, Aug. 13, 2020. (DeSean McClinton-Holland/The New York Times)
EditorialThe plaza of the Seagram Building looks across to McKim, Mead & White’s Racquet & Tennis Club, an Italian Renaissance-style palazzo, in New York, April 16, 2020. (Vincent Tullo/The New York Times)