EditorialARTE BARROCO. FRANCIA. HARDOUIN-MANSART, Jules (Par?s,1646-Marly-le-Roi, 1708). Arquitecto franc?s. IGLESIA DE SAINT-LOUIS-DES INVALIDES. Templo erigido entre los siglos XVII y XVIII. PARIS.
EditorialView from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance, Thomas Girtin, 17751802, British, 1803, Graphite tracing on laid paper, Acqueduct of Louveciennes, Europe, France, Louveciennes, Marly-le-Roi, Saint-Germain-en...
EditorialView from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance, Thomas Girtin, 17751802, British, after Thomas Girtin, 17751802, British, 1802, Soft ground etched outline on moderately thick, slightly textured, cream wove ...
EditorialView from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance, Thomas Girtin, 17751802, British, Joseph Constantine Stadler, active 17801812, British, after Thomas Girtin, 17751802, British, 1803, Aquatint, Acqueduct of Lou...
EditorialThe Waterworks at Marli; and St. Germain en Laye seen in the distance, Thomas Girtin, 17751802, British, after Thomas Girtin, 17751802, British, 1802, Soft-ground etching on moderately thick, slightly textured, cream wove paper, Sheet: 18 1/4 x 26 inch...
EditorialThe Waterworks at Marly and St. Germain-en-Laye Seen in the Distance, Thomas Girtin, 17751802, British, 1802, Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper, Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm) an...
EditorialThe Waterworks at Marli; and St. German en Laye seen in the distance, Richard Banks Harraden, 17781862, British, after Thomas Girtin, 17751802, British, 1803, Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper, S...
EditorialThe Water Works at Marli,and St. Germain en Laye seen in the distance 1803; Plate 15 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2624, Richard Banks Harraden, 17781862, British, after Thomas Girtin, 17751802, British, 1803, Et...
EditorialView from Palace Terrace at St. Germain en Laye; The Aqueduct of Marli seen in the distance 1803; Plate 16 from Views in Paris, the Emanuel Volume tracing of the plate, B1981.25.2625, Richard Banks Harraden, 17781862, British, after Thomas Girtin, 1775...
EditorialThe Water Works at Marli and St. German en Laye seen in the distance, Thomas Girtin, 17751802, British, And Richard Banks Harraden, 17781862, British, after Thomas Girtin, 17751802, British, 1803, Aquatint, Acqueduct of Louveciennes, Europe, France, Lo...
EditorialView from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance, Thomas Girtin, 17751802, British, and Joseph Constantine Stadler, active 17801812, British, after Thomas Girtin, 17751802, British, 1803, Aquatint with soft-g...
EditorialView of the Waterworks at Marly, and St. Germain-en-Laye seen in the distance, Thomas Girtin, 17751802, British, 1802, Soft-ground etching with graphite corrections in artist's hand on medium, slightly textured, cream, wove paper, Sheet: 8 7/16 x 20 3/...
EditorialView of Marly-le-Roi from Coeur-Volant, 1876, Oil on canvas, 25 3/4 x 36 3/8 in. (65.4 x 92.4 cm), Paintings, Alfred Sisley (British, Paris 1839?1899 Moret-sur-Loing), To paint this panoramic scene, Sisley walked up the hill from his rented house in Ma...
EditorialCh?teau de Marly, built by Jules Hardouin Mansard, Marly-le-Roi Castle in France, built by Jules Hardouin-Mansart, Signed: Grav? par Baltard, Pl. 58, p. 125, Baltard (grav?), Jean-Nicolas-Louis Durand: Recueil et parall?le des ?difices de tout genre, a...
EditorialView of Marly-le-Roi from Coeur-Volant, 1876, Oil on canvas, 25 3/4 x 36 3/8 in. (65.4 x 92.4 cm), Paintings, Alfred Sisley (British, Paris 1839?1899 Moret-sur-Loing), To paint this panoramic scene, Sisley walked up the hill from his rented house in Ma...
EditorialARTE BARROCO. FRANCIA. HARDOUIN-MANSART, Jules (Par?s,1646-Marly-le-Roi, 1708). Arquitecto franc?s. IGLESIA DE SAINT-LOUIS-DES INVALIDES. Templo erigido entre los siglos XVII y XVIII. PARIS.