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Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Lozenge Composition with Two Lines, Piet Mondrian, 1931,
Editorial Vase, Emile Gall?, French, 1846 - 1904, Glass, enamel, gold, Tall cylindrical vase of greenish-brown transparent glass. Flat base, with swelling lower section, curved inward to semi-round collar of applied glass. Above collar rises elongated cylinder, ...
Editorial Los Angeles' Third Tallest Building Set To Provide A Taste Of Mediterranean Living
Editorial Ceremonial Object in the Shape of an Ax, Bronze and Iron Age, ca. 100 B.C.?A.D. 300, Indonesia (Sulawesi), Bronze, H. 41 3/8 in. (105.1 cm); W. 26 1/2 in. (67.3 cm), Metalwork, This remarkable ceremonial object, a conceptual as well as technical tour d...
Editorial Uncut samples for sample book, Medium: silk Technique: resist printed on ribbed plain weave, Roll composed of six sections of silk sewed end to end; one end pasted to paper on wooden roll, other pasted to paper serving as cover and bearing inscription....
Editorial Tassel, Medium: silk, metal thread, wooden core, Skirt of gray silk threads with gray silk tassels partly covered by gray silk threads with metal thread tassels. Head, cylindrical and broadening at the base, is covered with gray silk with metal threads...
Editorial Pillow cover, Medium: silk embroidery on linen foundation Technique: embroidered in counted running stitches on plain weave foundation, Rectangle of embroidery with a large central lozenge surrounded by four incomplete lozenges, embroidered in red, whi...
Editorial Panel, Medium: silk, linen Technique: satin stitch embroidery on plain weave, Design of detached floral motifs and rings arranged in rows on ground quilted in a lozenge design. Motifs have three different designs, but each one shows a curving stem with...
Editorial Cover, Medium: silk embroidery on cotton foundation. Technique: running, double running, satin and stem stitches with deflected element work on plain weave foundation, Allover repeating design of a lozenge placed horizontally and vertically in ivory, r...
Editorial Lozenge Composition with Yellow, Black, Blue, Red, and Gray. Piet Mondrian; Dutch, 1872-1944. Date: 1921. Dimensions: 23 5/8 ? 23 5/8 in. (60 ? 60 cm). Oil on canvas. Origin: Netherlands.
Editorial Prayer Rug with Coupled Columns.
Editorial Design for a Woven Fabric, Graphite, blue, lateritious, and white gouche on oily tracing paper, In the same style as 1909-13-106. Lozenge scehem composed of triangles and squares. Four horizontal rows in blue and white are to alternate with four rows i...
Editorial Sidewall, Machine-printed, On light blue ground with vertical blue-edged mica stripes, alternating lozenge-shaped medallions with blue & white floral edge; metallic gold center field with bouquet of pink, red and blue flowers and green leaves; medallio...
Editorial Design for a Woven Fabric, Graphite, white chalk, brush and lateritious, blue, and red gouache on oily tracing paper, Blossom rosettes straggered in alternate horizontal rows cover parts of the lozenge decoration of the background. Eight-pointed stars ...
Editorial Trimming, Medium: silk and metal, Trimming (galloon) with design of a cross in red silk, alternating with lozenge in green silk, between borders with small lozenge and flower in purple silk; on ground of metallic gold thread; furnishing trim, France, m...
Editorial Design for Two Candlesticks, Unknown, Lefebvre Manufactory, Tournai, Pen and black ink, brush and green, yellow, and brown wash, black chalk on white laid paper, Two designs for candlesticks. Intended to be executed in green and gilded bronze. In the m...
Editorial Cabinet, Pen and brown ink on off-white laid paper, Elevation of a cabinet with roughly-sketched inlaid work. Two drop doors are seperated by a drawer with a lozenge band., Italy, 18001825, furniture, Drawing, Drawing.
Editorial Frame, Cast and gilt bronze, Horizontally oriented lozenge-shaped form., France, ca. 1780, metalwork, Decorative Arts, Frame.
Editorial Sidewall, Block-printed on handmade paper, Horizontal rectangle. Vertical lozenge pattern of foliage, with floral inserts in each lozenge and floral rosettes at each angle of the lozenges. Printed in colors on mustard-yellow ground., France, 18001810, ...
Editorial Design for an Embroidered Frontal, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on lined off-white laid paper, More than the left half is shown. In the center, is a circular medallion with a cross. Beside are spherical p...
Editorial Design for a Painted Porcelain Tureen and Tray, Brush and watercolor, black chalk on cream laid paper, Covered tureen shown in elevation (above) with tray (below). Tureen with ovoid bowl on foliated legs from which rise rod-shaped handles with entwined...
Editorial Fringe, Medium: silk Technique:, Heading of narrow tape with intervals of appliqued red cord. Cords are caught together in lozenge pattern and end in loops. Decorated with ornaments of yellow and cream-colored silks., France, late 18th century, trimmin...
Editorial Lava earrings, Gold, lava, A) and B) Design of small lozenge-shaped plate of gold carved to represent a flower, above a long-oval pendant of red lava carved to represent a woman's head, set in a gold rim., Italy, late 19th century, jewelry, Decorative ...
Editorial Personification of America, Rosalba Carriera, Italian, 16731757, Pastel on paper mounted on canvas, Bust length portrait of a woman, her left breast exposed, and carrying a spear in her right hand. In her hair is a jeweled fillet, trimmed with feathers...
Editorial Uncut samples for sample book, Medium: silk Technique: resist printed on ribbed plain weave, Roll composed of six sections of silk sewed end to end; one end pasted to paper on wooden roll, other pasted to paper serving as cover and bearing inscription....
Editorial Fragment, Medium: silk; tempera Technique: printed and painted on plain weave, White ground divided in to circles and lozenges by slender vines and blossoms, foliage and buds. Round floral group in center of each circle. Single blossoms with four leave...
Editorial Dish and cover, Lead-glazed earthenware ('cream ware'), Lozenge-shaped outline, with rounded corners. A) has a flaring rim, one twisted loop handle, sides with raised quatrefoil and cord design. B) has triangular panels of raised and pierced decoration...
Editorial Purse, Medium: silk, metal Technique: knitting, Purse, with the upper section knitted in blue silk in a lozenge pattern with openwork borders. The lower section is a a grid of laid blue silk cords interlaced and looped with gold and silver-wrapped silk...
Editorial Design for a Sedan Chair, Brush and various water colors, pen and Chinese ink, black chalk on paper, Shown from the rear right corner with open door. On top of the roof sits the Dionysus boy upon a scroll. He has a staff with vine in his left arm and w...
Editorial Band, Medium: linen Technique: grid of withdrawn element work with needle lace, reticella style, Reticella border with design of crossing diagonal lines forming lozenge shapes on ground of small squares., Venice, Italy, 15501600, lace, Band.
Editorial Design for a Coronet, Pen and ink, brush and sepia wash on paper, Horizontal rectangle. Design for a small crown or tiara. Converging at the center are two branches with alternatively two stems, the upward having two leaves and a round bead, the downwa...
Editorial Fragment, Medium: silk Technique: woven, Narrowly outlined lozenge fields in green., 17th century, woven textiles, Fragment.
Editorial Design for the Painted Decoration of a Wall, Brush and gouache, graphite on paper, A dado is shown below, an entablature above. In the panel, alternate vertical rows, consisting of lozenge rosettes and a petal and bough motifs, and two rising, intertwi...
Editorial Tassel, Medium: silk, metal thread, wooden core, Skirt of gray silk threads with gray silk tassels partly covered by gray silk threads with metal thread tassels. Head, cylindrical and broadening at the base, is covered with gray silk with metal threads...
Editorial Design for a Brooch, Pen and brown ink, watercolor, graphite, ruled borders in graphite on white wove paper, Top drawing in image.At left: In the center is a freamed circle with a white cross, it's top red. Framed is lozenge shape. In the corners are s...
Editorial Sampler, Elizabeth Warren, English, b. ca. 1808, Medium: silk embroidery on wool foundation Technique: embroidered in cross, stem, eyelet, satin, and running stitches on plain weave foundation, Nearly square sampler embroidered in soft colors of green,...
Editorial Trimming, Medium: silk Technique: woven, Yellow trimming fragment with a design of a vine ornament alternating with a motif of leaves. Border in a lozenge pattern at either edge., France, ca. 1820, trimmings, Trimming.