EditorialScene from Rubaiyat of Omar Khayyam Dust into Dust and under Dust to lie, Sans Wine, Sans Song, Sans Singer and Sans End. 1909. Arabian Nights.
EditorialJamea Richmond-Edwards’s “This Water Runs Deep,” 2022, in the exhibition “A Movement in Every Direction: Legacies of the Great Migration” at the Mississippi Museum of Art in Jackson, Miss. on Aug. 2, 2022. (Imani Khayyam/The New York Times)
EditorialJamea Richmond-Edwards’s “This Water Runs Deep,” 2022, in the exhibition “A Movement in Every Direction: Legacies of the Great Migration” at the Mississippi Museum of Art in Jackson, Miss. on Aug. 2, 2022. (Imani Khayyam/The New York Times)
EditorialFigure Study for Rubaiyat of Omar Khayyam. Elihu Vedder; American, 1836-1923. Date: 1884. Dimensions: 649 x 466 mm. Black wax crayon and a variety of colored wax crayons with graphite and touches of gold pigment, heightened with white gouache on blue w...
EditorialColour illustration in art deco style, showing a man holding a musical instrument, reaching out with his hand to a woman. Both are dressed in Persian style. Rubaiyat of Omar Khayyam. London : Constable & Co., 1920. Art-Deco. Source: K.T.C.124.b.4 front...
EditorialFans outside Mississippi Veterans Memorial Stadium at a football game between Jackson State, and Alcorn State Universities, in Jackson, Miss., Nov. 20, 2021. (Imani Khayyam/The New York Times)
EditorialJoanne Haynes, a nurse practitioner at the University of Mississippi Medical Center, meets virtually with a patient from her office in ridge land, Miss. on Sept. 17, 2021.(Imani Khayyam/The New York Times)
Editorial(Whole folio) The Rubaiyat of Omar Khayyam, verses 74 - 75. Calligraphically written and decorated by William Morris, with borders of foliage. The two ladies holding a scroll, and the border figures with musical instruments, were designed partly by Mor...
Editorial(Whole folio) The Rubaiyat of Omar Khayyam, verses 41-44. Calligraphically written and decorated by William Morris. Borders of foliage and fruit. Rubaiyat of Omar Khayyam. England; 1872. Source: Add. 37832, f.7. Language: English.
Editorial(Whole folio) The Rubaiyat of Omar Khayyam, verses 71 - 73. Calligraphically written and decorated by William Morris, with borders of foliage and flowers. The ladies in the borders playing musical instruments were designed partly by Morris and partly b...
EditorialA man and a woman each holding a glass of wine (?). Rubaiyat of Omar Khayyam. London : Constable & Co., 1920. Source: K.T.C.124.b.4, opposite page XI.
EditorialThe Rubaiyat of Omar Khayyam; verses 55 - 57. Calligraphically written and decorated by William Morris, with borders of foliage and flowers. Rubaiyat of Omar Khayyam. England; 1872. Source: Add. 37832, f.9. Language: English.
Editorial(Whole folio) The Rubaiyat of Omar Khayyam, verses 4 - 6. Calligraphically written and decorated by William Morris, with borders of foliage and flowers. Rubaiyat of Omar Khayyam. England; 1872. Source: Add. 37832, f.1v. Language: English.
EditorialA chronological list of the more important issues of Edward Fitzgerald's version of the Rubaiyat of Omar Khayyam, and of other books, written, translated, edited or owned by him; : Caxton Club.
EditorialFigure Study for Rubaiyat of Omar Khayyam. Elihu Vedder; American, 1836-1923. Date: 1884. Dimensions: 649 x 466 mm. Black wax crayon and a variety of colored wax crayons with graphite and touches of gold pigment, heightened with white gouache on blue w...
EditorialFigure Study for Rubaiyat of Omar Khayyam. Elihu Vedder; American, 1836-1923. Date: 1884. Dimensions: 649 x 466 mm. Black wax crayon and a variety of colored wax crayons with graphite and touches of gold pigment, heightened with white gouache on blue w...
EditorialColour illustration in art deco style, showing a man holding a musical instrument, reaching out with his hand to a woman. Both are dressed in Persian style. Rubaiyat of Omar Khayyam. London : Constable & Co., 1920. Art-Deco. Source: K.T.C.124.b.4 front...
Editorial(Whole folio) The Rubaiyat of Omar Khayyam, verses 74 - 75. Calligraphically written and decorated by William Morris, with borders of foliage. The two ladies holding a scroll, and the border figures with musical instruments, were designed partly by Mor...
Editorial(Whole folio) The Rubaiyat of Omar Khayyam, verses 41-44. Calligraphically written and decorated by William Morris. Borders of foliage and fruit. Rubaiyat of Omar Khayyam. England; 1872. Source: Add. 37832, f.7. Language: English.
EditorialRubaiyat of Omar Khayyam. Rubaiyat of Omar Khayyam. England; 1872. (Whole folio) The Rubaiyat of Omar Khayyam, verses 7 - 10. Calligraphically written and decorated by William Morris, with borders of foliage and flowers Image taken from Rubaiyat of Om...
Editorial(Whole folio) The Rubaiyat of Omar Khayyam, verses 71 - 73. Calligraphically written and decorated by William Morris, with borders of foliage and flowers. The ladies in the borders playing musical instruments were designed partly by Morris and partly b...
EditorialA man and a woman each holding a glass of wine (?). Rubaiyat of Omar Khayyam. London : Constable & Co., 1920. Source: K.T.C.124.b.4, opposite page XI.
EditorialThe Rubaiyat of Omar Khayyam; verses 55 - 57. Calligraphically written and decorated by William Morris, with borders of foliage and flowers. Rubaiyat of Omar Khayyam. England; 1872. Source: Add. 37832, f.9. Language: English.
Editorial(Whole folio) The Rubaiyat of Omar Khayyam, verses 4 - 6. Calligraphically written and decorated by William Morris, with borders of foliage and flowers. Rubaiyat of Omar Khayyam. England; 1872. Source: Add. 37832, f.1v. Language: English.
EditorialScene from Rubaiyat of Omar Khayyam Dust into Dust and under Dust to lie, Sans Wine, Sans Song, Sans Singer and Sans End. 1909. Arabian Nights.
EditorialRubayat of Omar Khayyam: The quatrains of Omar Kayyam were a collection of verses representing a cultured form of poetry strictly correlated to mystical literature as well as to Islam's religious tradition. Kayyam was a Persian mathematiian and astrono...