EditorialThe destruction of Babylon, Tapestry of the Apocalypse made for Louis I of Anjou from cartons (patterns) by Hennequin de Bruges. The tapesry was woven in Paris in the workshop of Nicolas Bataille, 1375-1380. 168 x 500 cm.
EditorialHennequin Point and the American Falls, Niagara River, Frederic Edwin Church, American, 18261900, Graphite, brush and white gouache on green paper., Recto: Horizontal view of Hennequin Point and the American falls at Niagara., Verso: Probably an imagin...
EditorialJean de Luxembourg, Le batard de Hautbourdin, Hennequin, 1400-1466. Chromolithograph from Loredan Larchey's Ancien Armorial Equestre de la Toison d'Or et de l'Europe au 15e siecle (Ancient Equestrian Armorials of the Order of the Golden Fleece and Euro...
EditorialA practical treatise on French modal auxiliaries : considered in their relation to grammar and idioms ; with exercises in reading, composition and conversation : Hennequin, Alfred, 1846-1914.
EditorialRobert Surcouf, after a contempory drawing. Robert Surcouf (12 December 1773 – 8 July 1827) was a famous French privateer and slave trader who operated in the Indian Ocean between 1789 and 1801, and again from 1807 to 1808. In France, Navy Minister T...
EditorialThe horsemen of the Apocalypse, from the Tapestry of the Apocalypse, made for Louis I of Anjou from cartons (patterns) by Hennequin de Bruges. The tapestry was woven in Paris in the workshop of Nicolas Bataille, 1375-1380. 168 x 500 cm.
EditorialAchilles and Patroclus. Dimensions: sheet: 20.5 x 30.9 cm (8 1/16 x 12 3/16 in.) mount: 26.7 x 38.5 cm (10 1/2 x 15 3/16 in.). Medium: pen and brown ink, with brown wash on laid paper.
EditorialThe destruction of Babylon, Tapestry of the Apocalypse made for Louis I of Anjou from cartons (patterns) by Hennequin de Bruges. The tapesry was woven in Paris in the workshop of Nicolas Bataille, 1375-1380. 168 x 500 cm.