EditorialThe actor Glenda Jackson during a rehearsal of Edward Albee’s “Three Tall Women” in New York on Feb. 15, 2018. (Annie Tritt/The New York Times)
EditorialThe actor Glenda Jackson during a rehearsal of Edward Albee’s “Three Tall Women” in New York on Feb. 15, 2018. (Annie Tritt/The New York Times)
EditorialThe actor Glenda Jackson during a rehearsal of Edward Albee’s “Three Tall Women” in New York on Feb. 15, 2018. (Annie Tritt/The New York Times)
EditorialA sphinx depicting Lauren Halsey's mother, Glenda, in a personal monument titled “the eastside of south central los angeles hieroglyph prototype architecture (I)” by the artist on the rooftop of the Metropolitan Museum in New York, April 12, 2023. (Amir Hamja/The New York Times)
EditorialA sphinx depicting Lauren Halsey's mother, Glenda, in a personal monument titled “the eastside of south central los angeles hieroglyph prototype architecture (I)” by the artist on the rooftop of the Metropolitan Museum in New York, April 12, 2023. (Amir Hamja/The New York Times)
EditorialA sphinx depicting Lauren Halsey's mother, Glenda, in a personal monument titled “the eastside of south central los angeles hieroglyph prototype architecture (I)” by the artist on the rooftop of the Metropolitan Museum in New York, April 12, 2023. (Amir Hamja/The New York Times)
EditorialA sphinx depicting Lauren Halsey's mother, Glenda, in a personal monument titled “the eastside of south central los angeles hieroglyph prototype architecture (I)” by the artist on the rooftop of the Metropolitan Museum in New York, April 12, 2023. (Amir Hamja/The New York Times)
EditorialA sphinx depicting Lauren Halsey's mother, Glenda, in a personal monument titled “the eastside of south central los angeles hieroglyph prototype architecture (I)” by the artist on the rooftop of the Metropolitan Museum in New York, April 12, 2023. (Amir Hamja/The New York Times)
EditorialA sphinx depicting Lauren Halsey's mother, Glenda, in a personal monument titled “the eastside of south central los angeles hieroglyph prototype architecture (I)” by the artist on the rooftop of the Metropolitan Museum in New York, April 12, 2023. (Amir Hamja/The New York Times)
EditorialA sphinx depicting Lauren Halsey's mother, Glenda, in a personal monument titled “the eastside of south central los angeles hieroglyph prototype architecture (I)” by the artist on the rooftop of the Metropolitan Museum in New York, April 12, 2023. (Amir Hamja/The New York Times)
EditorialA sphinx depicting Lauren Halsey's mother, Glenda, in a personal monument titled “the eastside of south central los angeles hieroglyph prototype architecture (I)” by the artist on the rooftop of the Metropolitan Museum in New York, April 12, 2023. (Amir Hamja/The New York Times)
EditorialA sphinx depicting Lauren Halsey's mother, Glenda, in a personal monument titled “the eastside of south central los angeles hieroglyph prototype architecture (I)” by the artist on the rooftop of the Metropolitan Museum in New York, April 12, 2023. (Amir Hamja/The New York Times)
EditorialGlenda O. Hampton, executive director of Gateway to Change, a drug treatment center in Milwaukee, at her desk on Dec. 1, 2022. (Todd Heisler/The New York Times)