EditorialIn the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couch?e dans son lit, elle relisait la lettre de son artilleur au front), published in Les Mots en libert? futuristes.
EditorialIn the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couch?e dans son lit, elle relisait la lettre de son artilleur au front), published in Les Mots en libert? futuristes.
EditorialA floating stage on the Fulda River, built by Black Quantum Futurism, a collective from Philadelphia, in Documenta 15, Kassel, Germany, on June 20, 2022. (Felix Schmitt/The New York Times)
EditorialCamae Ayewa, left, and Rasheedah Phillips, the art duo of Black Quantum Futurism, hold up the wraps — featuring archival images from Arthur Hall’s West African dance school — that will cover their artwork, “Reclamation: Space-Times,” in Philadelphia, April 27, 2021. (Kriston Jae Bethel/The New York Times)
EditorialLa Patrie, 1916 By Christopher Richard W. Nevinson (d. 1946), 'La Patrie' portrays an horrific incident the artist experienced during World War I when his Red Cross unit came upon a goods yard full of dead and dying French and German soldiers. They had...
EditorialIn the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couch?e dans son lit, elle relisait la lettre de son artilleur au front), published in Les Mots en libert? futuristes.
EditorialIn the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couch?e dans son lit, elle relisait la lettre de son artilleur au front), published in Les Mots en libert? futuristes.
EditorialThe Street Pavers, 1914, Oil on canvas, 39 3/8 x 39 3/8 in. (100 x 100 cm), Paintings, Umberto Boccioni (Italian, Reggio 1882?1916 Sorte), Boccioni and his compatriot Gino Severini were two of the leading members of Italian Futurism, an early twentieth...