EditorialThe Reconciliation of the Montagues and the Capulets, Frederic Leighton, 18301896, British, 1854, Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm), architect...
EditorialRomeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets), Print made by Peter Simon, 17501810, after James Northcote, 17461831, British, 1791, Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper, Sh...
EditorialStudy of Vicenzo for the Head of Romeo in Reconciliation of the Montagues and the Capulets,1854 Lord Frederic Leighton (d.1896), 19th Century, Drawing, Pencil, Paper, Portrait, Male.
EditorialRomeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5), June 15, 1785, Stipple engraving, and etching, printed in brown ink, oval image: 8 1/4 x 6 9/16 in. (21 x 16.7 cm), Prints, After William Hamilton (British, London 1751...
EditorialWilliam Shakespeare (1564-1616). English writer. Romeo and Juliet. Romeo disguised as a pilgrim in a masked ball celebrated in the palace of Capulets. Engraving, 19th century.
EditorialWilliam Shakespeare (1564-1616). English writer. Romeo and Juliet. Romeo disguised as a pilgrim in a masked ball celebrated in the palace of Capulets. Engraving, 19th century. Colored.
EditorialRomeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5), June 15, 1785, Stipple engraving, and etching, printed in brown ink, oval image: 8 1/4 x 6 9/16 in. (21 x 16.7 cm), Prints, After William Hamilton (British, London 1751...
EditorialWilliam Shakespeare (1564-1616). English writer. Romeo and Juliet. Romeo disguised as a pilgrim in a masked ball celebrated in the palace of Capulets. Engraving, 19th century. Colored.
EditorialWilliam Shakespeare (1564-1616). English writer. Romeo and Juliet. Romeo disguised as a pilgrim in a masked ball celebrated in the palace of Capulets. Engraving, 19th century.