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Editorial
Editorial
Editorial
Editorial New York City Ballet Fall Fashion Gala Celebrating 75th Anniversary and Honoring Co-Founding Choreographers George Balanchine and Jerome Robbins, New York, USA - 05 Oct 2023
Editorial New York City Ballet Fall Fashion Gala Celebrating 75th Anniversary and Honoring Co-Founding Choreographers George Balanchine and Jerome Robbins, New York, USA - 05 Oct 2023
Editorial New York City Ballets 2023 Fall Fashion Gala
Editorial New York City Ballet Fall Fashion Gala Celebrating 75th Anniversary and Honoring Co-Founding Choreographers George Balanchine and Jerome Robbins, New York, USA - 05 Oct 2023
Editorial New York City Ballet Fall Fashion Gala Celebrating 75th Anniversary and Honoring Co-Founding Choreographers George Balanchine and Jerome Robbins, New York, USA - 05 Oct 2023
Editorial New York City Ballet's 2023 Fall Fashion Gala
Editorial Dress rehearsal of one-act ballets at Mariinsky Festival
Editorial Chita Rivera in New York, March 22, 2023. (Philip Montgomery/The New York Times)
Editorial Members of New York City Ballet in a performance of George Balanchine’s “Concerto Barocco,” at the David H. Koch Theater in New York, Sept. 21, 2018. (Andrea Mohin/The New York Times)
Editorial The choreographer George Balanchine, far right, while working on “Bayou,” circa 1952. (Sam Falk/The New York Times)
Editorial Kyra Nichols, right, coaches Isabella LaFreniere, left, and Mira Nadon in Jerome Robbins’s “Rondo,” in New York, Jan. 12, 2023. (Nina Westervelt/The New York Times)
Editorial Frankie Dettori Retirement File Photo
Editorial The choreographer George Balanchine backstage with one of his dancers during New York City Ballet’s Stravinsky Festival in 1972. (Jack Manning/The New York Times)
Editorial New York City Ballet principal Unity Phelan and Taylor Stanley in George Balanchine?s ?Apollo,? in New York, Oct. 6, 2022. (Rachel Papo/The New York Times)
Editorial Foreground, Emilie Gerrity and Chun Wai Chan in the fourth movement of George Balanchine’s “Symphony in C,” at the New York City Ballet’s fashion gala in New York, Sept. 28, 2022. (Julieta Cervantes/The New York Times)
Editorial Kennard Henson lifts India Bradley during a rehearsal of Silas Farley’s “Architects of Time” in New York, April 28, 2022. (Braylen Dion/The New York Times)
Editorial Teresa Reichlen, a New York City Ballet star who has been with the company for 22 years, at Lincoln Center in New York, Feb. 11, 2022. (Jingyu Lin/The New York Times)
Editorial Joseph Shrope and Happel work with Barbara Karinska’s original sketches to remake the costumes for the Party Girls in Act one of “George Balanchine’s The Nutcracker,” for the New York City Ballet, Nov. 17, 2021. (OK McCausland/The New York Times)
Editorial Joseph Shrope and Happel work with Barbara Karinska’s original sketches to remake the costumes for the Party Girls in Act one of “George Balanchine’s The Nutcracker,” for the New York City Ballet, Nov. 17, 2021. (OK McCausland/The New York Times)
Editorial The New York City Ballet performs in “George Balanchine’s The Nutcracker," Dec. 9, 2018. (Rachel Papo/The New York Times)
Editorial Children before a rehearsal of ?George Balanchine?s The Nutcracker,? in New York, Nov. 18, 2021. (Jutharat Pinyodoonyachet/The New York Times)
Editorial Members of the New York City Ballet perform George Balanchine’s “Serenade,” on opening night of the company’s fall season at the David H. Koch Theater in New York, Sept. 21, 2021. (Caitlin Ochs/The New York Times)
Editorial Members of the New York City Ballet perform George Balanchine’s “Serenade,” on opening night of the company’s fall season at the David H. Koch Theater in New York, Sept. 21, 2021. (Caitlin Ochs/The New York Times)
Editorial Serge Lifar as Sergeant in the ballet Barabau by Vittorio Rieti and George Balanchine.
Editorial Serge Lifar as Sergeant in the ballet Barabau by Vittorio Rieti and George Balanchine.
Editorial Georges Balanchine rehearsing the dancers of the ballet of the Paris Operahouse Palais Garnier. Paris,1973.
Editorial Georges Balanchine, director of the New York City Ballet, Palais Garnier, Paris,1973.
Editorial Director Renee Clair and choreographer Georges Balanchine at the Paris Opera, Palais Garnier,1973.
Editorial Georges Balanchine, director of the New York City Ballet, Palais Garnier, Paris,1973.
Editorial Georges Balanchine rehearsing the dancers of the ballet of the Paris Operahouse Palais Garnier. Paris,1973.
Editorial Georges Balanchine,director of the New York City Ballet,working with the dancers of the Paris Opera, Palais Garnier.Paris,1973.
Editorial Georges Balanchine, director of the New York City Ballet, working with the dancers of the Paris Opera, Palais Garnier, Paris,1973.
Editorial Walking through Paris are Rolf Liebermann,director of the Paris Opera Garnier;Georges Balanchine,director of the New York City Ballet and Hugues Gall,assistant to Liebermann.
Editorial Director Renee Clair and choreographer Georges Balanchine at the Paris Opera, Palais Garnier,1973.
Editorial Director Rene Clair (right) talking to choreographer Georges Balanchine (center with open shirt) and Michael Dietmann,assistant to Rolf Liebermann.
Editorial Watching a researsal at the Palais Garnier are director Rolf Liebermann (left) and choreographer Georges Balanchine, Paris,1973.