EditorialThe Marquesa de Pontejos. Dated: c. 1786. Dimensions: overall: 210.3 x 127 cm (82 13/16 x 50 in.) framed: 231.8 x 146.4 cm (91 1/4 x 57 5/8 in.). Medium: oil on canvas. francisco de goya. Francisco Jose de Goya y Lucientes (attr. to).
EditorialDiego Rodr?guez de Silva y Vel?zquez (Attribution) / 'Juan Francisco de Pimentel?.'. DIEGO RODR?GUEZ DE SILVA Y VEL?ZQUEZ (ATRIBUIDO A). Diego Rodriguez de Silva y Velazquez (attr. to). DIEGO VELAZQUEZ (1599-1660). BENAVENTE CONDE DE.
EditorialJan Van Eyck (Workshop of) / 'The Fountain of Grace'. 1430 - 1440. Oil on panel. Jan van Eyck (attr. to). JAN VAN EYCK (1385-1441). VIRGIN MARY. SAN JUAN EVANGELISTA Y APOSTOL. DIOS PADRE.
EditorialStudy for Vignette in Fontenelle's (attr.) "Les Amours de Mirtil", Canto VI. Hubert Fran?ois Gravelot; French, 1699-1773. Date: 1751-1773. Dimensions: 116 ? 72 mm. Black chalk, on gray laid paper, laid down on ivory laid paper. Origin: France.
EditorialStudy for Vignette in Fontenelle's (attr.) "Les Amours de Mirtil", Canto III. Hubert Fran?ois Gravelot; French, 1699-1773. Date: 1751-1773. Dimensions: 115 ? 72 mm. Black chalk, on gray laid paper, laid down on ivory laid paper. Origin: France.
EditorialWilhelm Weimar, copper engraving Candelabra of Ganymede, Museo Clementino, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2077. graphics, robbery of Ganymede, dog, eagle (attr...
EditorialAlbum Drawing, Thomas Bardwell, 17041767, British, Previously attr: James Wills, Active 1740died 1777, British, ca. 1730, Gray wash, pen and brown ink, and graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm).
EditorialAmor asks Venus the Bow Sc? nes with Venus and Amor (copies) (series title) Scherzi d'amore (series title on object), Venus and Amor in a landscape. Venus holds the bow of Amor. Italian verse in lower margin., Venus and Cupid (Cupid not being mere attr...
EditorialAmor asks Venus the Bow Sc? nes with Venus and Amor (copies) (series title) Scherzi d'amore (series title on object), Venus and Amor in a landscape. Venus holds the bow of Amor. Italian verse in lower margin., Venus and Cupid (Cupid not being mere attr...
EditorialStudy Models of Parts of the Body, Sculptor model right lower leg of Michelangelo's Christ, Santa maria sopra Minerva, Rome, Sculptor model right lower leg of Michelangelo's Christ ( Santa Maria Sopra Minerva, Rome)., Johan Gregor van der Schardt (attr...
EditorialLantern Slide - Henley on Yarra River, Melbourne, Victoria, Date Unknown, A black and white image of what is believed to be the Henley Regatta held annually on the Yarra River in Melbourne from 1860, a prestigious event on the rowing calendar that attr...
EditorialStudy for Vignette in Fontenelle?s (attr.) Les Amours de Mirtil, Canto V, c. 1761, Hubert Fran?ois Gravelot, French, 1699-1773, France, Red and black chalk, on gray laid paper, laid down on ivory laid paper, 114 ? 72 mm.
EditorialStudy for Vignette in Fontanelle?s (attr.) Les Amours de Mirtil, Canto I, c. 1761, Hubert Fran?ois Gravelot, French, 1699-1773, France, Pen and black ink over black chalk, on gray laid paper, laid down on ivory laid paper, 114 ? 72 mm.
EditorialStudy for Vignette in Fontenelle?s (attr.) Les Amours de Mirtil, Canto IV, c. 1761, Hubert Fran?ois Gravelot, French, 1699-1773, France, Black chalk, on gray laid paper, laid down on ivory laid paper, 115 ? 72 mm.
EditorialStudy for Vignette in Fontenelle's (attr.) "Les Amours de Mirtil", Canto VI. Hubert Fran?ois Gravelot; French, 1699-1773. Date: 1751-1773. Dimensions: 116 ? 72 mm. Black chalk, on gray laid paper, laid down on ivory laid paper. Origin: France.
EditorialStudy for Vignette in Fontenelle's (attr.) "Les Amours de Mirtil", Canto III. Hubert Fran?ois Gravelot; French, 1699-1773. Date: 1751-1773. Dimensions: 115 ? 72 mm. Black chalk, on gray laid paper, laid down on ivory laid paper. Origin: France.
EditorialMontering van de schutterij van Schiedam, ca. 1787. Schiedam Schuttery (title on object). Monteringen van 32 patriotse schutterijen en vrijkorpsen, ca. 1787 (series title). Draughtsman: anonymous. Draughtsman: Jan Anthonie Langendijk Dzn (rejected attr...
EditorialGandhari, blindfolded, supporting Dhrtarastra and following Kunti when Dhrtarastra became old and infirm and retired to the forest. (Dhanu). The last five books of the Razmnama, the Persian translation by Naqib Khan of the Mahabharata. Twenty-four attr...
Editorial(above). Lime (‘citrus acida’). (below). Bitter orange (‘citrus medico’). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attr...
EditorialGandhari, blindfolded, supporting Dhrtarastra and following Kunti when Dhrtarastra became old and infirm and retired to the forest. (Dhanu). The last five books of the Razmnama, the Persian translation by Naqib Khan of the Mahabharata. Twenty-four attr...
Editorial(above). Lime (‘citrus acida’). (below). Bitter orange (‘citrus medico’). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attr...