EditorialDesign for a Chimneypiece with Overmantel, Pen and brown ink, blue, gray, ochre wash, over black chalk Support: white laid paper laid down, Scale: at bottom left, in palmi, Italy, Italy, ca. 1700, architecture, Drawing, Drawing.
EditorialPavilion with a Clock and, Pen and black ink, gray wash, ochre and yellow wash, graphite Support: white laid paper, Scale: 60 Palmi Romani, Rome, Italy, Italy, ca. 1800, architecture, Drawing, Drawing.
EditorialUrn, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, black chalk Support: light blue laid paper, Scale: in pen and black ink, lower margin, in Palmi Romani. Design after the Warwick Vase., Rome, Italy, Italy, ca. 1800, metalwork, Dr...
EditorialProject for the high altar in San Salvatore in Campo in Rome, Giuseppe Subleyras, Italian, 1745 1819, Pencil, pen, washes, chinese black, and various watercolor washes on paper, Vertical composition divided into two sections. The top section shows the ...
EditorialDesign for an altar for St. Anthony of Padua, Andrea Pozzo, Italian, 16421709, Pencil, pen and ink, brush, gray watercolor on paper, Above is the elevation with parts of the adjoining walls and of the entablature shown; below is the plan. Disposed in h...
EditorialTwo projects for a portable pulpit for the church in Offida, Pen, ink, light green water color and chinese black washes on paper, Vertical composition of two altars. The altar on the left is shown from the front and the altar on the right is shown from...
EditorialAltar Lamp, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, graphite on white laid paper, Three chains with virtues. Scale: at bottom, in palmi romani, Rome, Italy, Italy, 18001825, lighting, Drawing, Drawing.