EditorialAndrew Lloyd Webber, left, and Cameron Mackintosh embrace after the final performance of “The Phantom of the Opera” at the Majestic Theater in New York on Sunday, April 16, 2023. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialIn the foreground, from left: the Broadway producer Cameron Mackintosh, Andrew Lloyd Webber and the director Hal Prince at the end of a Jan. 9, 2006 performance of “The Phantom of the Opera” in New York. (Sara Krulwich/The New York Times)
EditorialSen. Chuck Schumer (D-N.Y.), left, joined Cameron Mackintosh, center, and Andrew Lloyd Webber to celebrate the post-shutdown return of “The Phantom of the Opera,” in New York on Oct. 22, 2021. (OK McCausland/The New York Times)
EditorialTable. Designed by Charles Rennie Mackintosh; Scottish, 1868-1928; Glasgow, Scotland. Date: 1902. Dimensions: 61 ? 92 ? 50.2 cm (24 ? 36 1/4 ? 19 3/4 in.). Painted and white wood and clear and opaque leaded-glass insets. Origin: Glasgow.
EditorialDesign for fireplace objects, late 19th?early 20th century, Made in New York, United States, American, Watercolor and graphite on off-white wove paper, 14 15/16 x 19 7/8 in. (37.9 x 50.5 cm), Drawings, Tiffany Studios (1902?32), This sketch for a firep...