EditorialPerseus Starting from the Cave of the Gorgons. Attributed to Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1810-1820. Dimensions: 552 x 676 mm. Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid do...
EditorialPerseus Starting from the Cave of the Gorgons. Attributed to Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1810-1820. Dimensions: 552 x 676 mm. Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid do...
EditorialMinerva, plate from a suite of 6 ornamental designs with the Judgement of Paris, Engraving on laid paper, A contestant for Paris apple, Minerva is armed and holds a shield with the Gorgons head. The figure is set within a medallion on a dark field (sur...
EditorialPerseus Starting from the Cave of the Gorgons. Attributed to Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1810-1820. Dimensions: 552 x 676 mm. Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid do...
EditorialPerseus Starting from the Cave of the Gorgons. Attributed to Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1810-1820. Dimensions: 552 x 676 mm. Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid do...
EditorialPerseus Starting from the Cave of the Gorgons. Attributed to Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1810-1820. Dimensions: 552 x 676 mm. Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid do...