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Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial Angelo Cozzi taking pictures on a crane at the Autodromo Nazionale di Monza
Editorial The Lady of Shalott. Date/Period: 1862. Painting. Oil on canvas. Height: 24.1 cm (9.4 in); Width: 29.2 cm (11.4 in).
Editorial A Jacob's ladder. An angel holding a ladder made of plants. A Flower Wedding. Described by two wallflowers. Decorated by Walter Crane. Cassell & Co.: London, 1905. Source: 12812.b.54, page 27. Language: English.
Editorial An angel holding an arrow, and a lady in a river or lake. A Flower Wedding. Described by two wallflowers. Decorated by Walter Crane. Cassell & Co.: London, 1905. Source: 12812.b.54, page 31. Language: English.
Editorial Flower fairies of penny royal, Mentha pulegium, in helmet with trident and King Edward VII medal, and golden feather palm, Dypsis lutescens, as a Native American squaw with feather headdress. Chromolithograph after an illustration by Walter Crane from ...
Editorial Dancer with Cymbals (Danseuse aux cymbales). Dimensions: 60.5 cm x 43.4 cm, 43.4 cm x 31 cm.
Editorial Flower fairies of horse chestnuts, Aesculus hippocastanum, depicted as horses with foliage mane and tail, and groom in livery. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Neptune's horses. Oil on Canvas.
Editorial Chapter I. Of those three who came to Hallblithe to the house of the Raven. The Story of the Glittering Plain which has been also called the Land of Living Men or the Acre of the Undying/ written by William Morris ; [ornamented with 23 pictures by Walt...
Editorial Rhyming words ending in the letter G. An illustration showing a pig riding a horse, and another drving a cart. The Golden primer. The Golden Primer. [In verse. With illustrations by Walter Crane.]. 2 pt. Blackwood & Sons: London, 1884. Source: 12805.w....
Editorial The Lady of Shalott. Date/Period: 1862. Painting. Oil on canvas. Height: 24.1 cm (9.4 in); Width: 29.2 cm (11.4 in).
Editorial Napkin Depicting The Five Senses. Designed by Walter Crane (English, 1845-1915); Produced by John Wilson & Sons; England, London. Date: 1891. Dimensions: 67.7 x 76.8 cm (26 5/8 x 30 1/4 in.). Linen, satin weave self-patterned by reversing of faces....
Editorial 'Or Cytherea's breath;'. Flowers from Shakespeare's Garden: a posy from the plays, pictured by Walter Crane. Cassell & Co.: London, 1906. Source: 11766.d.6 page 5.
Editorial Flower fairy of arrowhead, Sagittaria latifolia, depicted as a water nymph in a river giving Cupid a floral arrow. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Flower fairy of rosemary, Rosmarinus officinalis, in evening dress with bouquet of rosemary flowers. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Flower fairies of horse chestnuts, Aesculus hippocastanum, depicted as horses with foliage mane and tail, and groom in livery. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Flower fairies of lady's slipper orchids, Cypripedium calceolus, depicted as women trying on flower shoes. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Flower fairy of London pride, Saxifraga ? urbium, woman with crenellated crown, medieval dress, escutcheon with cross of St. George and sword. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Garden scene with maid finding a trunk and gardener trimming a boxwood tree, Buxus sempervirens. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Flower fairy of bachelor's button, Tanacetum parthenium, as a dandy in tails, breeches, and hose, pulled by a cupid policeman with hearts on his arrow. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Title page with vignette of allegorical figure of a woman under a bellflower arch with mistletoe wreath and cupid with bow and quiver. Handcoloured lithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Flower fairies of buttercup, Ranunculus acris, and pitcher plant, Nepenthes species, wearing headdresses and dresses made of flowers. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Flower fairies of king cup, Caltha palustris, as a page in livery with flower cups, and chamomile tea, Matricaria chamomilla, as an elegant lady with teapot. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London,...
Editorial Flower fairies of snowflake, Leucojum vernum, in bonnet and cape with chauffeur, and daisy, Bellis perennis, with long stole of flowers at the end of a party. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London...
Editorial Flower fairy of flax, Linum usitatissimum, in a dress of blue linseed flowers, holding bolts of linen fabric and a spindle. Chromolithograph after an illustration by Walter Crane from A Flower Wedding, Cassell, London, 1905.
Editorial Rapunzel leans out of the window of a tower while a prince climbs up her hair. . Household Stories, from the collection of the Bros. Grimm: translated from the German by L. Crane; and done into pictures by W. Crane. London : Macmillan & Co., 1882. Sour...
Editorial Colour illustration for 'I had a little nut tree'. A young girl and a Queen of Spain. Triplets. Comprising, The Baby's Opera, The Baby's Bouquet, and The Baby's Own ?sop. With the original designs in colour by W. Crane, etc. London : G. Routledge & So...
Editorial Rhyming words ending in the letter N. The Golden primer. The Golden Primer. [In verse. With illustrations by Walter Crane.]. 2 pt. Blackwood & Sons: London, 1884. Source: 12805.w.33, part 1, page 28.
Editorial Rhyming words ending in the letter G. The Golden primer. The Golden Primer. [In verse. With illustrations by Walter Crane.]. 2 pt. Blackwood & Sons: London, 1884. Source: 12805.w.33, part 1, page 22.