EditorialFILE PHOTO: A Chinese flag is seen next to the statue of Italian Jesuit Matteo Ricci, the first builder of church during the Ming Dynasty, at the entrance of Beijing South Catholic Church in Beijing
EditorialFILE PHOTO: A Chinese flag is seen next to the statue of Italian Jesuit Matteo Ricci, the first builder of church during the Ming Dynasty, at the entrance of Beijing South Catholic Church in Beijing
EditorialFILE PHOTO: A Chinese flag is seen next to the statue of Italian Jesuit Matteo Ricci, the first builder of church during the Ming Dynasty, at the entrance of Beijing South Catholic Church in Beijing
EditorialFILE PHOTO: A Chinese flag is seen next to the statue of Italian Jesuit Matteo Ricci, the first builder of church during the Ming Dynasty, at the entrance of Beijing South Catholic Church in Beijing
EditorialFILE PHOTO: A Chinese flag is seen next to the statue of Italian Jesuit Matteo Ricci, the first builder of church during the Ming Dynasty, at the entrance of Beijing South Catholic Church in Beijing
EditorialFILE PHOTO: A Chinese flag is seen next to the statue of Italian Jesuit Matteo Ricci, the first builder of church during the Ming Dynasty, at the entrance of Beijing South Catholic Church in Beijing
EditorialFILE PHOTO: A Chinese flag is seen next to the statue of Italian Jesuit Matteo Ricci, the first builder of church during the Ming Dynasty, at the entrance of Beijing South Catholic Church in Beijing
EditorialFILE PHOTO: A Chinese flag is seen next to the statue of Italian Jesuit Matteo Ricci, the first builder of church during the Ming Dynasty, at the entrance of Beijing South Catholic Church in Beijing
EditorialThe Chinese Room in Schloss Charlottenburg, Berlin. Walls and ceiling painted with Chinese scenes by Italian painter and stage designer Bartolomeo Verona (around 1780). Five Chinese Blanc-de-Chine figurines, (17th) .
EditorialThe artist Badiucao in front of one of his works, “Carrie Lam,” a portrait of Hong Kong’s chief executive, at Santa Giulia Museum in Brescia, Italy, April 10, 2021. (Alessandro Grassani/The New York Times)
EditorialServing Dish, Cozzi Porcelain Factory, Italian, 1763 1812, hard paste porcelain, vitreous enamel, gold, Shell form, decorated in Chinese style with carnations, in red and blue with gilt highlights, on a blue-grey glaze., Italy, ca. 1770, ceramics, Deco...
EditorialA Chapel; Elevation and Floor Plan, Felice Giani, Italian, 17581823, Pen and brown ink, brush and chinese black wash with watercolor over red chalk and traces of graphite on wove paper, Architectural details. Top: section of apse; entablature of altar....
EditorialProject for a Fountain, Giuseppe Jarmorini, Italian, ca. 1732 1816, Pencil, pen, ink, Chinese blackwashes. Olive water color. Paper, A woman, wearing a helmet and holding fasces with both heads standing in a niche. Water is intended to be spit out by a...
EditorialProject for the high altar in San Salvatore in Campo in Rome, Giuseppe Subleyras, Italian, 1745 1819, Pencil, pen, washes, chinese black, and various watercolor washes on paper, Vertical composition divided into two sections. The top section shows the ...
EditorialDecoration after a design by Francesco Albani, Plate, Chinese, for European market, Decoration after a design by Francesco Albani (Italian, Bologna 15781660 Bologna), second quarter 18th century, Chinese, for European market, Hard-paste porcelain, Diam...