EditorialShips and Militia by a Rocky Shore, Willem van de Velde the Elder, ca. 16111693, Dutch, active in Britain (from 1672), ca. 1680, Pen and ink on prepared canvas, Support (PTG): 25 5/8 x 38 7/16 inches (65.1 x 97.6 cm), boats, bridge (built work), castle...
EditorialView of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations, Thomas Girtin, 17751802, British, and Frederick Christian Lewis the Elder, 17791856, British, 1803, Aquatint with soft-ground etching on moderately thick, slightly text...
EditorialView of the Thuilleries and Bridge, etc., taken from Pont de la Concorde, Thomas Girtin, 17751802, British, And W. Pickett, active 17921820, British, after Thomas Girtin, 17751802, British, 1803, Aquatint with soft-ground etching on moderately thick, s...
EditorialThe City and St. Paul's from the South Bank, William Marlow, 17401813, British, undated, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper, She...
EditorialThe Wreck of the Apollo Frigate, 1803, William H. Overend, 18511898, undated, Gray wash and white gouache with pen and black ink on very thick, smooth, cream wove card, Sheet: 14 ? 10 3/8 inches (35.6 ? 26.4 cm), anchor (watercraft equipment), blocks, ...
EditorialView of Pont St. Michel, taken from Pont Neuf, Thomas Girtin, 17751802, British, And Richard Banks Harraden, 17781862, British, after Thomas Girtin, 17751802, British, 1803, Aquatint with soft-ground etching on moderately thick, slightly textured, crea...
EditorialView of the Pantheon, Paris, Thomas Girtin, 17751802, British, 1802, Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream, wove paper mounted on thick, slightly textured, cream, wove paper, Mount: 9 3/8 x 21 inches (...
EditorialAn English Frigate at Anchor Viewed from the Port Quarter, Willem van de Velde the Younger, 16331707, Dutch, active in Britain (from 1672), undated, Graphite on medium, slightly textured cream laid paper mounted on medium, slightly texured, cream wove ...
EditorialView of a Sea Port, Print made by Richard Earlom, 17431822, British, after Claude Lorrain, 16001682, French, Published by John Boydell, 17201804, British, 1774, Mezzotint and etching printed in brown ink on moderately thick, slightly textured, cream la...
EditorialPart of Waterloo Bridge with the Shot Tower, &c., Print made by George Cooke, 17811834, British, after Clarkson Stanfield, 17931867, British, Published by Longman & Co., active 18041914, British, Published by John & Arthur Arch, active 18101827, Britis...
EditorialView of the City with the Louvre &c., taken from Pont Marie, Thomas Girtin, 17751802, British, after Thomas Girtin, 17751802, British, 1802, Soft-ground etched outline on moderately thick, slightly textured, cream wove paper, Sheet: 18 1/4 x 26 inches ...
EditorialBarge on the Medway with Warships Grampian and Dreadnaugh in the Background, Print made by Miles Edmund Cotman, 18101858, British, ca. 1838, Etching on medium, moderately textured, blued white laid paper, Sheet: 4 7/16 x 8 1/16 inches (11.3 x 20.5 cm) ...
EditorialScene of a Storm, with a Vessel Wrecked, Print made by Richard Earlom, 17431822, British, after Claude Lorrain, 16001682, French, Published by John Boydell, 17201804, British, 1774, Mezzotint and etching printed in brown ink on moderately thick, slight...
EditorialView of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations, Thomas Girtin, 17751802, British, after Thomas Girtin, 17751802, British, 1802, Soft ground etched outline on moderately thick, slightly textured, cream wove paper, She...
EditorialNegative - Geelong, Victoria, 1928, Looking out across the Bay at Geelong. A flight of steep wooden steps leads down to the beach. A sailing ship and several small watercraft are at anchor in the Bay. The You Yangs can be seen in the distance.
EditorialWatercraft Moored on the Erewash Canal, This peaceful spot is close to the B6002 Road in Sandiacre, UK, art, art Britain, Artist: Sarah Smith.