EditorialWendell Gray II, center, and other dancers in Tere O’Connor’s “Rivulets” at the Baryshnikov Arts Center in New York, Dec. 6, 2022. (Andrea Mohin/The New York Times)
EditorialBas-de-page scene of Christ, bending to write with his finger on the ground, with the woman caught in adultery, and one of her captors turning to leave, with a caption reading, ‘Cy fist ih[es]u signes descripture en tere. Si q[e] chescu[n] des ieus s...
EditorialDavus, Simo,and Chremes (Andria III,4). Simo relates to his slave Davus, that the marriage of his son Pamphilus was only a sham. Woodcut, 89 x 145mm. Reprints made in the 19th century, woodblock lost. Illustration to "Comedies of Terence" (Publius Tere...