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Editorial Peter Mattei, left, as Don Giovanni and Ana María Martínez as Donna Elvira in Ivo van Hove’s new production of the opera “Don Giovanni” at the Metropolitan Opera in New York, April 28, 2023. (Sara Krulwich/The New York Times)

2023-05-08
2

Editorial Wolfgang Amadeus Mozart (1756-1791). The first page of Mozart?s Requiem. JOHANN WOLFGANG MOZART.

2022-12-24
1

Editorial Louis Langrée, the Mostly Mozart Festival Orchestra’s music director, leads a performance of Mozart’s “Gran Partita” Serenade on Lincoln Center’s plaza in New York, Aug. 2, 2021. (Douglas Segars/The New York Times)

2021-08-04
3

Editorial A scene from "Cosi Fan Tutte" at the Metropolitan Opera in New York, Feb. 13, 2020. (Caitlin Ochs/The New York Times)

2020-02-17
1

Editorial Wolfgang Amadeus Mozart (1756-1791). Mozart?s missing A-Minor Symphony.

2018-07-23
4

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Editorial Peter Mattei, left, as Don Giovanni and Ana María Martínez as Donna Elvira in Ivo van Hove’s new production of the opera “Don Giovanni” at the Metropolitan Opera in New York, April 28, 2023. (Sara Krulwich/The New York Times)

Editorial Wolfgang Amadeus Mozart (1756-1791). The first page of Mozart?s Requiem. JOHANN WOLFGANG MOZART.

Editorial Louis Langrée, the Mostly Mozart Festival Orchestra’s music director, leads a performance of Mozart’s “Gran Partita” Serenade on Lincoln Center’s plaza in New York, Aug. 2, 2021. (Douglas Segars/The New York Times)

Editorial A scene from "Cosi Fan Tutte" at the Metropolitan Opera in New York, Feb. 13, 2020. (Caitlin Ochs/The New York Times)

Editorial Wolfgang Amadeus Mozart (1756-1791). Mozart?s missing A-Minor Symphony.

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