EditorialVirgin Mary with Saint Thomas Aquinas and Saint Paul. Date/Period: Ca. 1330. Painting. Tempera and gold leaf on panel. Height: 1,216 mm (47.87 in); Width: 1,130 mm (44.48 in).
EditorialEdward the Black Prince. The Costume of the original inhabitants of the Bri. R. Havell: London, 1815. Edward the Black Prince (1330-76). English heir to the throne. Image taken from The Costume of the original inhabitants of the British Islands from t...
EditorialThe Angel of the Annunciation. Dated: c. 1330. Dimensions: painted surface (on recto): 29.5 x 20.5 cm (11 5/8 x 8 1/16 in.) overall: 31 x 21.5 cm (12 3/16 x 8 7/16 in.) painted surface (gesso ground on verso): 21 x 30.2 cm (8 1/4 x 11 7/8 in.) frame...
EditorialAnnunciation to the shepherds. Holkham Bible Picture Book. England; circa 1320-1330. [Whole folio] The shepherds tend their sheep, as the angel appears, pointing to the star. Below, the adoration of the shepherds; the shepherds with the the Holy Family...
EditorialThe Fall and the Expulsion. Holkham Bible Picture Book. England, circa 1320-1330. [Whole folio] Upper part of drawing. A winged sepent, with a maiden's head, guides Eve's hand, holding an apple to her mouth; Adam eats the apple. Below, they leave the e...
Editorial[Whole folio] Diagram of a ‘cherub’ with six wings, standing on a wheel inscribed with the Seven Works of Mercy. On each of his six wings is inscribed a principle topic and the five feathers of each wing are inscribed with five sub-topics, concerni...
EditorialSepulchre of Hug de Cardona (d.1330), 1327. By Joan de Tournai (documented between 1323-1329). From the Chapel of Sant Antoni in the Barcelona Cathedral. Alabaster. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.
EditorialMaster of the Franciscan tempera (ca.1330-1382). Virgin of the Humility with Saint Dominic and donor, ca 1350-1355. National Museum of Capodimonte. Naples. Italy.
EditorialAmarna Letters. 14th century BC. Clay tablets with cuneiform script, mostly written in Akkadian. Designate a file of correspondence, mostly diplomatic, between the Egyptian administration and its representatives in Canaan and Amurru. 1350-1330 BC. From...
EditorialLower part of folio- Book of Revelation. Three miniatures show Christ leading the riders on white horses, the fowls prepared to devour the captains of men and the dragon cast into the bottomless pit. Bible of Clement VII. Italy, Tuscany (?), circa 1330...
EditorialINTERIOR- CATEDRAL GOTICA COMENZADA EN 1344 Y TERMINADA DEFINITIVAMENTE EN 1929. MATHIEU DE ARRAS (1290-1352) y PETER PARLER (1330. CARLOS IV DE LUXEMBURGO. CARLOS I DE BOHEMIA.
EditorialBust of Queen Nefertiti . New Empire - XVIIIth Dynasty . c. 1340 B.C. . Limestone and plaster (Height 48 cm). Berlin, Staatliche Museen. TUTMOSE o DYEHUTYMOSE (1330 a. c.). AMENOFIS IV ESPOSA. AKENATON ESPOSA.
EditorialPietro da Rimini (Active ca. 1315-35). The Nativity and other Episodes from the Childhood of Christ (ca. 1330). Tempera and gold on panel. 17.2 x 19.7 cm.
EditorialUgolino di Nerio (Active in Siena, 1317-Siena (?), 1339 or 1349 (?)). The Crucifixion with the Virgin, Saint John and Angels (ca. 1330 - 1335). Tempera and gold on panel. 135 x 89 cm.
EditorialMaster Bertram (Minden (?), ca. 1330/40-Hamburg, 1414/15). Triptych of The Holy Face (ca. 1390 - 1400). Oil on panel. Central panel: 30.8 x 24.2 cm; lateral wings: 30.8 x 12 cm each. Triptych closed: The Annuciation.
EditorialChrist Blessing Three Young Men, initial M from a Gradual. Maestro Daddesco; Italian (Florence), active about 1310-1350. Date: 1320-1330. Dimensions: 138 x 131 mm. Opaque watercolor, with shell gold and gold leaf, on parchment. Origin: Italy.
EditorialPARTE POSTERIOR DEL TRIPTICO STEFANESCHIPARA EL ALTAR MAYOR DE LA ANTIGUA BASILICA DE SAN PEDRO- TEMPLE SOBRE TABLA - 1320/1330. GIOTTO DE BONDONE (1266-1337). Saint Andrew. SAINT PAUL THE APOSTLE. JACOPO STEFANESCHI. APOSTLE PETER. SAN PABLO DE TARSO.
EditorialAquamanile in the form of a lion Aquamanile in the form of a lion Lion-aquamanile, The object cast in cire perdue technique and largely adorned with the shape of a lion with a dragon as its handle. The details are outstretched (the mane, the locks on t...