EditorialMasaccio, Tommaso di ser Giovanni di Mone Cassai, called (1401-1428). Italian painter. Crucifixion, 1426. National Museum of Capodimonte. Naples. Italy.
EditorialMasaccio, Tommaso di ser Giovanni di Mone Cassai, called (1401-1428). Italian painter. Crucifixion, 1426. National Museum of Capodimonte. Naples. Italy.
EditorialMasaccio, Tommaso di ser Giovanni di Mone Cassai, called (1401-1428). Italian painter. Crucifixion, 1426. National Museum of Capodimonte. Naples. Italy.
EditorialMasaccio, Tommaso di ser Giovanni di Mone Cassai, called (1401-1428). Italian painter. Crucifixion, 1426. National Museum of Capodimonte. Naples. Italy.
EditorialMasaccio, Tommaso di ser Giovanni di Mone Cassai, called (1401-1428). Italian painter. Crucifixion, 1426. National Museum of Capodimonte. Naples. Italy.
EditorialSaint Andrew; Masaccio (Tommaso di Giovanni Guidi), Italian (Florentine), 1401 - 1428; 1426; Tempera and gold leaf on panel; Unframed [panel]: 52.4 x 32.1 cm (20 5/8 x 12 5/8 in.), Surviving original painted surface: 44.9 x 30.2 cm (17 11/16 x 11 7/8 i...
EditorialRenaissance. Quattrocento. Masaccio (1401-1428). The Madonna and Child with St. Anne (Sant'Anna Metterza), Probably in collaboration with Masolino da Panicale, 1424. The Uffizi Gallery. Florence, Italy.
EditorialMasaccio (1401-1428). Painter of the Quattrocento period of the Italian Renaissance. Resurrection of the Son of Theophilus. 1425. Fresco in the Brancacci Chapel in Santa Maria del Camine, Florence. Italy.
EditorialPayment of the Tribute Money (picture taken after restauration). 1424-1427. Fresco (255 x 598 cm). Florence, Santa Maria del Carmine Church, Brancacci chapel.
EditorialThe Expulsion from Paradise (Genesis 3, 23-24). Top row left of the murals in the Brancacci Chapel, the private chapel of the Brancacci family of Florence. 1425-1428 See 40-07-8 / 1-24 214 x 90 cm.