EditorialGarden pavillion in the grounds of Sanssouci Palace. These cast iron pavillions, with richly gilded sun ornaments, hide the prosaic outhouses and farm buildings.
EditorialGarden pavilion in the grounds of Sanssouci Palace. These cast-iron pavilions, with richly gilded sun-ornaments, hide the prosaic outhouses and farm buildings. 1755.
EditorialGarden pavillion in the grounds of Sanssouci Palace. These cast iron pavillions, with richly gilded sun ornaments, hide the prosaic outhouses and farm buildings.
EditorialGarden pavilion in the grounds of Sanssouci Palace. These cast-iron pavilions, with richly gilded sun-ornaments, hide the prosaic outhouses and farm buildings. 1755.
EditorialAlan Heller with the Bellini chair he produced for Mario Bellini, the Italian architect and industrial designer, in New York on Dec. 24, 2009. (Piotr Redlinski/The New York Times.)
EditorialGarden pavillion in the grounds of Sanssouci Palace. These cast iron pavillions, with richly gilded sun ornaments, hide the prosaic outhouses and farm buildings.
EditorialGarden pavilion in the grounds of Sanssouci Palace. These cast-iron pavilions, with richly gilded sun-ornaments, hide the prosaic outhouses and farm buildings. 1755.
EditorialGarden pavillion in the grounds of Sanssouci Palace. These cast iron pavillions, with richly gilded sun ornaments, hide the prosaic outhouses and farm buildings.
EditorialGarden pavilion in the grounds of Sanssouci Palace. These cast-iron pavilions, with richly gilded sun-ornaments, hide the prosaic outhouses and farm buildings. 1755.