EditorialChimney sweep. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. Two chimney sweeps. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres L:arti co:muni che uanno : Lond...
EditorialTitle page, 'Il Campo Marzio dell'Antica Roma,' from part 20 of 'The Complete Works of Giovanni Battista Piranesi', Giovanni Battista Piranesi, Italian, 17201778, Francesco Piranesi, Italian, about 1756 - 1810, Etching on off-white laid paper, Small se...
EditorialLondra Benedeta Number III, 'Doctor Haselden, I Presume?', ca. 1930, Ink and graphite on paper, H. 12, W. 8 inches, Drawings, Walter Richard Sickert (British, Munich 1860?1942 Bathampton, Somerset).
EditorialTravel from Paris to London to Calais and Boulogne, Map: Viaggio da Parigi a Londra by Calais e per Boulogne, pl. 8, to p. 378, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra....
EditorialTravel from Geneva to Paris to Lyon and Autun and to Dijon and Troyes, Map: Viaggio da Ginevra a Parigi by Lione e Autun e via Digione e Troyes, pl. 7, to p. 314, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Co...
EditorialInterior view of the church of G. S. Bernardo, Interior view of the church on the Great St. Bernard, pl. 3, to p. 84, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parig...
EditorialPilgrimage to the Great Saint Bernard, Lausanne, Friborg, Geneva, Title Page;, Amati, Giacinto, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra. Milano: Paolo Ripamonti Carpano...
EditorialFacade of the Freiburg cathedral, Main portal of the cathedral in Friborg, plate 6, after p. 188, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra. Milano: ...
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialAny work for John Cooper. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. A cooper carrying his tools. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres L:arti co:m...
EditorialRemember the poor prisoners. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. A man collecting for ex-prisoners. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres L:...
EditorialChimney sweep. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. Two chimney sweeps. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres L:arti co:muni che uanno : Lond...
EditorialMountabanck. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. A mountebank (charlatan). A person who sold quack medicine in public places. A pet monkey holds a rope attached to his waist. Image taken from The Cryes of t...
EditorialThe famous Dutch woman. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. Famosa Donna Thedesca, the trapeze artist. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres...
EditorialKnives or cifers to grinde. The Cryes of the City of London Drawne after the L. P. Tempest: [London, 1688?]. A man sharpening knives on a wheel. Image taken from The Cryes of the City of London Drawne after the Life. Les cris de la ville de Londres L:...
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialLondra Benedeta Number III, 'Doctor Haselden, I Presume?', ca. 1930, Ink and graphite on paper, H. 12, W. 8 inches, Drawings, Walter Richard Sickert (British, Munich 1860?1942 Bathampton, Somerset).