EditorialDance of the Hours and three putti with cornucopiae. Date/Period: 1548. Red chalk, red wash, heightened with white, on red prepared paper. 35.7 ? 33.5 cm.
EditorialTriumph of Peace, Roundel, for the Aldini Villa at Montmorency, Felice Giani, Italian, 17581823, Pen and brown ink, brush and grey-brown wash over black chalk on textured paper, Victory riding in chariot drawn by two horses. She holds caduceus in left ...
EditorialTwo chalices, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left, a variation of 1901-39-1165. 1) The pedestal is decorated with festoons supported by cherubim at the corners. The stem i...
EditorialMount, Stamped, cast and chased gilt bronze, Nude goddess, possibly Hebe, pouring wine from a ewer, encircled by a billowing scarf with flowing ends, standing on an orb between cornucopiae., ca 1805, metalwork, Decorative Arts, Mount.
EditorialDesign for an Earring, Pen and black ink, brush and red, gray watercolor, silver on paper, Jewelry design for an earring. Scheme is similar to 1938-88-842 but with a third leaf as filling the inside of the cornucopiae. The outsides of the frames of the...
EditorialDevotional Picture: The Miraculous Virgin of Cell, Brush and pink and gold watercolor on paper, mounted, An icon is shown with the Mother and Child above, resting on cornucopiae and below two vignettes of a man on horseback and an encampment. Below, a ...
EditorialDesign for a panel, Gilles Paul Cauvet, French, 17311788, Pen and black ink, brush and watercolor on laid paper, Candelabrum composed of fantastic animals, a flower basket, cornucopiae, a sun head, surrounded by floral motifs. Drapery festoons are on t...
Editorialcoin (medium of exchange), Anonymous, approx. 118, minted, General: 3.1 x 0.3cm (31 x 3mm), Weight: 26.8g, Copper Roman coin with the bust of the emperor Hadrian on the front, used to the right . With an illegible caption. On the reverse a very vague i...
EditorialThree matching fragments of an altar. Limestone. A is the lower part, B a part of the right side, C the upper left corner. The front is complete, the rear is for a large part broken away. The upper right part is missing. There is a role on the corner o...
EditorialAltar with niche. Limestone. Nehalennia sitting on seat with high, round back. With both hands she holds a bowl of fruit on her lap. Shell-shaped canopy. No dog and no basket with fruits on the ground next to her. Right side: cornucopiae with a globe a...
EditorialTwo consecutive fragments, together forming the upper right part of an altar without recess. Limestone. The rear part has been broken away. The mensa, with role, is separated from the shaft by a projecting list. On the right is still a part of a cornuc...
EditorialLower right of an altar with a niche. Limestone. The upper part has been cut off just above a ledge that limits the inscription at the top. On the right side is the lower part of a curved cornucopiae. Front and side have a plinth. The back is damaged a...
EditorialLimestone altar, dedicated to the goddess Sandraudiga. Sides decorated with cornucopiae in relief. The left cornucopiae is wound with a snare. The top of the altar has a triangular facade at the front, decorated with a leaf motif. Left and right is a s...
EditorialFragment from the middle part of an altar with niche. Limestone. The left side has been preserved. In the niche a part of a figure sitting on a seat with a high back can be distinguished. The lower right arm is directed forward. She probably wears a sh...
EditorialAltar with niche. Limestone. The right-hand part of the mensa and the right-hand corner at the rear are broken off. Nehalennia sitting on seat with high handrail. On her right side is a dog, to her left is a basket of fruit. On her lap she has a large ...
EditorialFigurine of terracotta. Fortuna with cornucopiae in the left hand and in the right hand probably a rudder resting on the ground. The latter is broken off, just like the feet of the statue. Remains of an old complement and bonding at the bottom., Terrac...
EditorialUpper left corner of an altar with niche. Limestone. The niche has a low vault without shell-shaped decoration. The left roll is decorated with a leaf motif. There is a profiled cornice underneath the main frame, also at the back. On the left is a part...
EditorialUpper right corner of an altar with niche. Limestone. In the niche is just a part of the head of the person depicted. Part of a backrest is left over. The upper edge of this runs somewhat concave to the middle. In the handrail a panel is indicated by a...
EditorialUpper part of an altar without a niche. Limestone. The top and front are badly damaged. The mensa is flat. On the rear part of it, a remainder of a small increase (probably a fruit) is visible. The scroll on the left side of the mensa is decorated with...
EditorialAltar with niche. Sandstone. At the back, right above and under small corners are broken off. Nehalennia sitting on a couch. There is a dog on her right side. The basket on her left is missing. Her feet stand on a low footstool. The shoulder coat is he...
EditorialLeft upper corner of an altar without a niche. Limestone. Nothing can be distinguished at the front. On top there is a roll, on the side a relief decoration, probably a cornucopiae with at least two fruits at the top. The back is undecorated., Altar, s...
EditorialLower part of an altar. Limestone. The lower part has disappeared, so that even the plinth can not be seen before and after. On both sides stands, in relief on a deepened surface, the bottom of a curved cornucopiae., Altar, fragment, stone, limestone, ...
EditorialLower right corner of an altar with niche. Limestone. From the image only the right part of (probably) a fruit basket is left. The inscription is bordered at the top by a profiled frame, right through a wide slit. At the bottom is a profiled plinth in ...
EditorialAltar. Red sandstone. Restored from 4 pieces. The lower left corner is missing. The altar is very weathered. No image on the front. On the right side is a cornucopiae. The left side is partly broken down and otherwise too weathered to be able to distin...
EditorialNapkin with an emblematic representation of the Battle of Leipzig, In the center a laurel wreath in which a peace angel with a palm branch in his hand, standing on a segment of a globe with a map marked with different areas and with an interweaving of ...
EditorialHipponix cornucopiae, Print, Hipponix, common name hoof snails or hoof shells, is a genus of small sea snails with limpet-like shells, marine gastropod molluscs in the family Hipponicidae, the hoof snails.Many (but not all) of the species in this genus...
EditorialHipponix cornucopiae, Print, Hipponix, common name hoof snails or hoof shells, is a genus of small sea snails with limpet-like shells, marine gastropod molluscs in the family Hipponicidae, the hoof snails.Many (but not all) of the species in this genus...
EditorialHipponix cornucopiae, Print, Hipponix, common name hoof snails or hoof shells, is a genus of small sea snails with limpet-like shells, marine gastropod molluscs in the family Hipponicidae, the hoof snails.Many (but not all) of the species in this genus...
EditorialText page from Hours of the Virgin with decorated border showing two portraits of young women and cornucopiae. Sforza Hours. Milan, circa 1490; Flemish insertions, 1517-1520. Source: Add. 34294, f.110. Language: Latin.
EditorialText page from Hours of the Virgin with decorated border showing fleurs-de-lys and cornucopiae. Sforza Hours. Milan, circa 1490; Flemish insertions, 1517-1520. Source: Add. 34294, f.90v. Language: Latin.
EditorialDance of the Hours and three putti with cornucopiae. Date/Period: 1548. Red chalk, red wash, heightened with white, on red prepared paper. 35.7 ? 33.5 cm.
EditorialAntique-Style Ornamental Frieze Design: Grotteschi with Figures, Cornucopiae, and Shields., early 16th century, Pen and brown ink, over traces of leadpoint (?), on buff laid paper, 13 1/2 x 6 1/4 in. (34.3 x 15.8 cm), Drawings, Anonymous, Italian, 16th...
EditorialAntique-Style Ornamental Frieze Design: Grotteschi with Figures, Cornucopiae, and Shields., early 16th century, Pen and brown ink, over traces of leadpoint (?), on buff laid paper, 13 1/2 x 6 1/4 in. (34.3 x 15.8 cm), Drawings, Anonymous, Italian, 16th...